Ph.D. Researcher (alumni)
Biography:
Previous Educational Experience
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MFA Electronic Arts, iEAR program, Rensselaer Polytechnic Institute (RPI)
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MA Mathematics, State University of New York, Potsdam
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BA Mathematics, State University of New York, Potsdam
Research Interests
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Human-Computer Interaction for “Laptop Music”
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Mapping and its role in instrumental and compositional systems
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Interactive and Generative Systems for Improvisation
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Signal Processing and Analysis/Synthesis
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Texture and noise
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Network music
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Creating and directing laptop performance ensembles
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Deep Listening
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Sound synthesis and processing for adaptive control
Projects
Research Areas:
Projects
Publications:
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Van Nort, D. (2010). Modular and Adaptive Control of Sound Processing. In Ph.D. Thesis, McGill University. Montreal, Canada.
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Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. In Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME07). New York City, USA.
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Van Nort, D., Depalle, P. (2006). A Stochastic State-Space Phase Vocoder for Synthesis of Roughness. In Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06) (pp. 177–180). Montreal, Quebec, Canada.
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Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. In Proc. of the 2006 Sound and Music Computing Conference (SMC06). Marseille, France.
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Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. In Proc. of the 2006 International Computer Music Conference (ICMC06). New Orleans, USA.
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Van Nort, D., Wanderley, M. M., Depalle, P. (2004). On the Choice of Mappings based on Geometric Properties. In Proc. of the 2004 International Conference on New Interfaces for Musical Expression (NIME04). Hamamatsu, Japan.
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Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. In Computer Music Journal (pp. 6-22). MIT Press.
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Van Nort, D. (2006). Noise/music and representation systems. In Organised Sound (pp. 173–178). Cambridge University Press.
Contacts:
