Director

Biography:

Professor in Music Technology
International Chair – Inria Lille, Nord Europe
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT)

. Electrical Engineering – UFPR (Brazil), 1988
. M.Eng in Electrical Engineering – UFSC (Brazil), 1992
. Ph.D. in Acoustics, Signal Processing and Computer Science
. Applied to Music, Université Paris VI (France), 2001

Research Statement:

My main research goal is the development of novel devices for music performance. Since 1995 I have been involved in various projects related to gestural control of sound synthesis and more recently I have been involved with the international conference on New Interfaces for Musical Expression as a member of its steering committee and as the chairman of the NIME-03 conference. I have also co-edited the electronic book Trends in Gestural Control of Music [Wanderley and Battier, 2000] and co-written the textbook New Digital Musical Instruments: Control and Interaction Beyond the Keyboard [Miranda and Wanderley, 2006].

Publications:

• Miranda, E.R., Wanderley, M.M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. , A-R Editions, Inc. Madison, WI, USA ©2006.
• Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M.M. (2015). The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation. Vancouver, Canada, 21st International Symposium on Electronic Art.
• Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Copenhagen, Denmark, NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression.
• Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. Baton Rouge, USA, NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.
• Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. Los Angeles, USA, 8th International Conference on Applied Human Factors and Ergonomics.
• Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. London, UK, Proceedings of 4th International Conference on Movement Computing (MOCO).
• Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. , Sound and Music Computing.
• Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. São Paulo, Brazil, Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research.
• Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. Vancouver, Canada, 21st International Symposium on Electronic Art.
• Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Baton Rouge, USA, Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.
• Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Maynooth, Ireland, Proceedings of the SMC Conference.
• Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Denton, USA, Proceedings of the International Computer Music Conference.
• Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.
• Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. São Paulo - Brazil, 16th Brazilian Symposium on Computer Music.
• Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. , Springer, Cham.
• Franco, I., Wanderley, M.M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. , Springer, Cham.
• Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. New York City, NY, United States, Proceedings of the International Conference on New Interfaces for Musical Expression.
• Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Limassol, Cyprus, Proceedings of the Sound and Music Computing Conference.
• Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Genoa, Italy, Proceedings of the 5th International Conference on Movement and Computing - MOCO '18.
• Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Blacksburg, USA, International Conference on New Interfaces for Musical Expression (NIME).
• Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Montreal, Canada, Frontiers in Psychology.
• Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Genoa, Italy, Proceedings of 5th International Conference on Movement Computing (MOCO'18).

Contacts:

• Email: marcelo.wanderley@mcgill.ca