Biography:

Professor in Music Technology
International Chair – Inria Lille, Nord Europe
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT)

• Electrical Engineering – UFPR (Brazil), 1988
• M.Eng in Electrical Engineering – UFSC (Brazil), 1992
• Ph.D. in Acoustics, Signal Processing and Computer Science Applied to Music, Université Paris VI (France), 2001

Research Statement:

My main research goal is the development of novel devices for music performance. Since 1995 I have been involved in various projects related to gestural control of sound synthesis and more recently I have been involved with the international conference on New Interfaces for Musical Expression as a member of its steering committee and as the chairman of the NIME-03 conference. I have also co-edited the electronic book Trends in Gestural Control of Music [Wanderley and Battier, 2000] and co-written the textbook New Digital Musical Instruments: Control and Interaction Beyond the Keyboard [Miranda and Wanderley, 2006].

Research Areas:

• Haptics: Tactile and Force-Feedback
• Interface Design
• Mapping
• Movement Analysis
• Sensors

Projects

Publications:

• Miranda, E. R., Wanderley, M. M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. . A-R Editions, Inc..Madison, USA.
• Barbosa, J., Wanderley, M. M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. In NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (pp. 87-93). Copenhagen, Denmark.
• Barbosa, J., Malloch, J., Huot, S., Wanderley, M. M. (2015). What does ‘Evaluation’ mean for the NIME community?. In NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression. Baton Rouge, USA.
• Ignoto, P., Hattwick, I., Wanderley, M. M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. In 8th International Conference on Applied Human Factors and Ergonomics. Los Angeles, USA.
• Caramiaux, B., Bevilacqua, F., Palmer and Marcelo Wanderley, C. M. (2017). Individuality in Piano Performance Depends on Skill Learning. In Proceedings of 4th International Conference on Movement Computing (MOCO). London, UK.
• Wang, J., Pritchard, B., Nixon, B., Wanderley, M. M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. In Sound and Music Computing.
• Franco, I., Wanderley, M. M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. In Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research. São Paulo, Brazil.
• Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. In 21st International Symposium on Electronic Art. Vancouver, Canada.
• Franco, I., Wanderley, M. M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. In Proceedings of the International Conference on New Interfaces for Musical Expression. Baton Rouge, USA.
• Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, T., Salter and Marcelo Wanderley, C. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. In Proceedings of the SMC Conference. Maynooth, Ireland.
• Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M. M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. In Proceedings of the International Computer Music Conference. Denton, USA.
• Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. In Proceedings of the International Conference for Music Perception and Cognition. San Francisco, USA.
• Meneses, E. A. L., Wanderley, M. M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. In 16th Brazilian Symposium on Computer Music (pp. 168--169). São Paulo - Brazil.
• Hattwick, I., Franco, I., Wanderley, M. M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. In Springer, Cham.
• Franco, I., Wanderley, M. M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.). Springer.São Paulo, Brazil.
• Malloch, J., Wanderley, M. M. (2007). The T-Stick : From Musical Interface to Musical Instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 66--69). New York City, NY, United States.
• Sullivan, J., Wanderley, M. M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. In Proceedings of the Sound and Music Computing Conference. Limassol, Cyprus.
• Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M. M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. In Proceedings of the 5th International Conference on Movement and Computing - MOCO '18. Genoa, Italy.
• Meneses, E. A. L., Freire, S., Wanderley, M. M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. In International Conference on New Interfaces for Musical Expression (NIME) (pp. 222–227). Blacksburg, USA.
• Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. In Frontiers in Psychology. Montreal, Canada.
• Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. In Proceedings of 5th International Conference on Movement Computing (MOCO'18). Genoa, Italy.
• (2019). New Directions in Music and Human-Computer Interaction. . Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). Springer International Publishing.Cham, Switzerland.
• (2014). Advances in the Design of Mapping for Computer Music. In Computer Music Journal. Wanderley, M. M., Malloch, J. (Eds.).
• Caramiaux, B., Bevilacqua, F., Wanderley, M. M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. In PLOS ONE.
• Malloch, J., Sinclair, S., Wanderley, M. M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. In IEEE Multimedia (pp. 39-50).
• Calegario, F., Wanderley, M. M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. In IEEE Multimedia (pp. 63–71).
• Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M. M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. In IEEE Multimedia (pp. 24–34).
• Schumacher, M., Wanderley, M. M. (2016). Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping . Published online on December 22, 2016. DOI:. In Journal of New Music Research.
• Hollinger, A., Wanderley, M. M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. In IEEE Sensors Journal (pp. 6125-6134).
• Perez Carrillo, A., Wanderley, M. M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. In IEEE Transactions on Audio, Speech and Language Processing (pp. 932-940).
• Malloch, J., Sinclair, S., Wanderley, M. M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. In Multimedia Tools and Applications (pp. 5683-5707).
• Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. In International Workshop on Haptic and Audio Interaction Design. Lille, France.
• Meneses, E., Wang, J., Freire, S., Wanderley, M. M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. In New Interfaces for Musical Expression. Porto Alegre, Brazil.
• Wang, J., Mulder, A., Wanderley, M. M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. In New Interfaces for Musical Expression. Porto Alegre, Brazil.
• Sullivan, J., Wanderley, M. M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. In 14th International Symposium on Computer Music Multidisciplinary Research. Marseille, France.
• Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Marcelo Wanderley, a. M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. In 14th International Symposium on Computer Music Multidisciplinary Research. Marseille, France.
• Tom, A., Venkatesan, H., Franco, I., Wanderley, M. M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. In Proc. of the International Conference on New Interfaces for Musical Expression (NIME). Porto Alegre, Brazil.
• Giordano, M., Sullivan, J., Wanderley, M. M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Papetti, S., Saitis, C. (Eds.). Springer, Cham.Cham, Switzerland.
• Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M. M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. In Proc. of the International Conference on New Interfaces for Musical Expression (NIME). Birmingham, UK.
• Wang, J., Meneses, E., Wanderley, M. M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. In Proc. of the International Conference on New Interfaces for Musical Expression (NIME). Birmingham, U.K..
• Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E. A. L., Wanderley, M. M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. In Proc. of the International Conference on Human-Computer Interaction (HCII) (pp. 14). Copenhagen, Denmark.
• Meneses, E. A. L., Fukuda, T., Wanderley, M. M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. In Proc. of the International Conference on Human-Computer Interaction (HCII). Copenhagen, Denmark.
• Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M. M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. In Proc. of the International Conference on New Interfaces for Musical Expression (NIME) (pp. 6). Birmingham, UK.
• Kirkegaard, M., Bredholt, M., Marcelo Wanderley, a. M. (2020). An intermediate mapping layer for interactive sequencing. In Proc. of the International Conference on Human-Computer Interaction (HCII) (pp. 10). Copenhagen, Denmark.
• Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M. M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. In Proc. of the International Conference on New Interfaces for Musical Expression (NIME). Birmingham, UK.
• Wanderley, M. M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. In Proc. of the International Conference on Human-Computer Interaction (HCII). Copenhagen, Denmark.
• Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M. M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. In International Workshop on Haptic and Audio Interaction Design (HAID). Montreal, Canada.
• Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. In Proc. of the International Conference on New Interfaces for Musical Expression (NIME) (pp. 6). Birmingham, UK.
• West, T., Caramiaux, B., Wanderley, M. M. (2020). Making Mappings: Examining the Design Process. In Proceedings of the International Conference on New Interfaces for Musical Expression.
• Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2020). Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. In Journal on Multimodal Interfaces (pp. 285-301).
• Pietrzak, T., Wanderley, M. M. (2020). Haptic and audio interaction design. In Journal on Multimodal Interfaces (pp. 231-233).
• Malloch, J., Garcia, J., Wanderley, M. M., Mackay, W. E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In New Directions in Music and Human-Computer Interaction. (pp. 23-40). Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). Springer, Cham.
• Verdugo, F., Kokubu, S., Wang, J., Wanderley, M. M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. In Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID). Montreal, Canada.
• Zadel, M., Kosek, P. C., Wanderley, M. M. (2004). An Inertial, Pliable Interface. In An Inertial, Pliable Interface.
• Freire, S., Santos, G., Armondes, A., Meneses, E. A. L., Wanderley, M. M. (2020). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. In Sensors.
• Wanderley, M. M., Vines, B. (2005). Ancillary Gestures of Clarinettists. In New Perspectives on Theory and Contemporary Practice. Gritten, A., King, E. (Eds.).
• Wanderley, M. M., Vines, B., Middleton, N., McKay, C., Hatch, W. (2005). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .
• Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. . Camurri, A., Volpe, G. (Eds.). Genova, Italy.
• Wanderley, M. M. (2002). Quantitative Analysis of Non-obvious Performer Gestures. In Gesture and Sign Language in Human-Computer Interaction (pp. 241-253). Wachsmuth and Sowa, I. T. (Eds.).
• Wanderley, M. M. (1999). Non-Obvious Performer Gestures in Instrumental Music. In Gesture-Based Communication in Human-Computer Interaction (pp. 37-48). Braffort, A., Gherbi, R., Gibet, S., Richardson, J., Teil, D. (Eds.).
• Cadoz, C., Wanderley, M. M. (2000). Gesture-Music. In Trends in Gestural Control of Music. Wanderley and Battier, M. M. M. (Eds.). Paris, Fr.
• Wanderley, M. M., Depalle, P. (2004). Gestural Control of Sound Synthesis. In Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication (pp. 632-644).
• Wanderley, M. M., Depalle, P. (2001). Gesturally-Controlled Digital Audio Effects. In Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx-01) (pp. 165-169). Limerick, Ireland.
• Campbell, L., Chagnon, M., Wanderley, M. M. (2005). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. In Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.
• (2000). Trends in Gestural Control of Music. . Wanderley, M. M., Battier, M. (Eds.). Ircam, Paris, France.
• Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. In Proc. of the 2006 Sound and Music Computing Conference (SMC06). Marseille, France.
• Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. In Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME07). New York City, USA.
• Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. In Proc. of the 2006 International Computer Music Conference (ICMC06). New Orleans, USA.
• Van Nort, D., Wanderley, M. M., Depalle, P. (2004). On the Choice of Mappings based on Geometric Properties. In Proc. of the 2004 International Conference on New Interfaces for Musical Expression (NIME04). Hamamatsu, Japan.
• Malloch, J., Sinclair, S., Wanderley, M. M. (2007). From controller to sound: Tools for collaborative development of digital musical instruments. In Proceedings of the 2007 International Computer Music Conference (pp. 65–72). Copenhagen, Denmark.
• Malloch, J., Sinclair, S., Wanderley, M. M. (2008). A network-based framework for collaborative development and performance of digital musical instruments. In Proc. of Computer Music Modeling and Retrieval 2007 Conference (CMMR2007) (pp. 401–425). Berlin, Germany.
• Wanderley, M. M. (2017). Expert Commentary: Perry Cook’s Principles Still Going Strong. In A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13). Refsum Jensenius, A., Lyons, M. J. (Eds.).
• Brum Medeiros, C., Wanderley, M. M. (2014). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. In Sensors Journal (pp. 13556-13591).
• Brum Medeiros, C., Wanderley, M. M. (2011). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. In Proceedings of the 8th Sound and Music Computing (SMC) Conference.
• Wanderley, M. M., Middleton, N., McKay, C., Hatch, W., Vines, B. W. (2004). Expressive Movements of Clarinetists: Quantification and Musical Considerations. In (PDF document, 1.6 Mbytes) Copyright: McGill University.
• Wanderley, M. M., Depalle, P., Warusfel, O. (1999). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. In Proceedings of the international Computer Music Conference (pp. 418-421).
• Malloch, J., Wanderley, M. M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In The Routledge Companion to Embodied Music Interaction (pp. 438–447). Lesaffre, M., Leman, M., Maes, P. (Eds.).
• P Demos, A., Carter, D. J., M Wanderley, M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. In Frontiers in Psychology, section Cognitive Science.
• Nieva, A., Wang, J., Malloch, J., Wanderley, M. M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. In New Interfaces for Musical Expression (pp. 198–199). Blacksburg, Virginia.
• Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M. M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. In Sound and Music Computing.
• Bhagwati, S., Wanderley, M. M., Sullivan, J., Giordano, M. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. In Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.
• Maes, P., Palmer, C., Wanderley, M. M. (2015). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. In Experimental Brain Research (pp. 263–273). Springer Berlin Heidelberg.
• Koehly, R., Wanderley, M. M., van de Ven, T., Curtil, D. (2014). In-House Development of Paper Force Sensors for Musical Applications. In Computer Music Journal (pp. 22-35). MIT Press.
• Livingstone, S. R., Thompson, W. F., Wanderley, M. M., Palmer., C. (2014). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. In Quarterly Journal of Experimental Psychology (pp. 952-970). Taylor & Francis.
• Maes, P., Leman, M., Palmer, C., Wanderley., M. M. (2014). Action-based Effect on Music Perception. In Frontiers in Psychology (pp. 1–14). Frontiers Media S.A..
• Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. In Computer Music Journal (pp. 6-22). MIT Press.
• Seger, R. A., Wanderley, M. M., Koerich., A. L. (2014). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. In Expert Systems with Applications (pp. 2098-2106). Elsevier.
• Sinclair, S., Wanderley, M. M., Hayward, V. (2014). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. In IEEE Transactions on Haptics (pp. 533–544). IEEE.
• Teixeira, E. C. F., Loureiro, M. A., Wanderley, M. M., Yehia, H. C. (2014). Motion Analysis of Clarinet Performers. In Journal of New Music Research (pp. 97-111). Taylor & Francis.
• Michael Winters, R., Wanderley, M. M. (2014). Sonification of Emotion: Strategies and Results from the Intersection with Music. In Organised Sound (pp. 60–69). Cambridge University Press.
• Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2013). Gestural Strategies in the Harp Performance. In Acta Acustica united with Acustica (pp. 986-996). Hirzel Verlag.
• Thibodeau, J., Wanderley, M. M. (2013). Trumpet Augmentation and Technological Symbiosis. In Computer Music Journal (pp. 12-25). MIT Press.
• Bouënard, A., Gibet, S., Wanderley, M. M. (2012). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. In The Visual Computer Journal (pp. 357–370). Springer.
• Caramiaux, B., Wanderley, M. M., Bevilacqua, F. (2012). Segmenting and Parsing Instrumentalist’s Gestures. In Journal of New Music Research (pp. 13-29). Routledge.
• Michael Winters, R., Savard, A., Verfaille, V., Wanderley, M. M. (2012). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. In The International Journal of Multimedia & Its Applications (IJMA) (pp. 13–26). AIRCC Publishing Corporation.
• Bouënard, A., Wanderley, M. M., Gibet, S., Marandola, F. (2011). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. In Computer Music Journal (pp. 57–72). MIT Press.
• Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin., D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. In Cognition (pp. 157-170). Elsevier.
• Bouënard, A., Wanderley, M. M., Gibet, S. (2010). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. In Acta Acustica united with Acustica (pp. 668–677). S. Hirzel Verlag.
• Ferguson, S., Wanderley, M. M. (2010). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. In Journal of Interdisciplinary Music Studies (pp. 17-35).
• Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2012). Experimental study of the musician / instrument interaction in the case of the concert harp. In Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.
• Verfaille, V., Depalle, P., Wanderley., M. M. (2010). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. In Journal of the Acoustical Society of America (pp. 534–541). Acoustical Society of America.
• Marshall, M. T., Hartshorn, M., Wanderley, M. M., Levitin, D. J. (2009). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. In Journal of New Music Research (pp. 241–253). Routledge.
• Nusseck, M., Wanderley, M. M. (2009). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. In Music Perception: An Interdisciplinary Journal (pp. 335–353). University of California Press.
• Sinclair, S., Wanderley, M. M. (2009). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. In Interacting with Computers (pp. 54–63). Elsevier.
• Verfaille, V., Rebillout, A., Guillemain, P., Wanderley, M. M. (2008). Refining mapping strategies to improve the sound quality of physically controlled synthesis. In Journal of the Acoustical Society of America. Acoustical Society of America.
• Verfaille, V., Wanderley, M. M. (2006). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. In Journal of the Acoustical Society of America. Acoustical Society of America.
• Verfaille, V., Wanderley and Philippe Depalle, M. M. (2006). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. In Journal of New Music Research (pp. 71-93). Routledge.
• Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. In Cognition (pp. 80–113). Elsevier.
• Hunt, A., Wanderley, M. M., Paradis, M. (2003). The Importance of Parameter Mapping in Electronic Instrument Design. In Journal of New Music Research (pp. 429–440). Routledge.
• Hunt, A., Wanderley, M. M. (2002). Mapping Performance Parameters to Synthesis Engines. In Organised Sound (pp. 97–108). Cambridge University Press.
• Wanderley, M. M., Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. In Computer Music Journal (pp. 62–76). MIT Press.
• Depalle, P., Tassart, S., Wanderley, M. M. (1997). Instruments Virtuels. In Resonance (pp. 5-8).
• Fraisse, V., Wanderley, M. M., Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. In Multimodal Technol. Interact.. Basel, Switzerland.
• Pras, A., Rodrigues, M. G., Grupp, V., Wanderley, M. M. (2021). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. In Front. Psychol..
• Frisson, C., Bredholt, M., Malloch, J., Wanderley, M. M. (2021). MapLooper: Live-looping of distributed gesture-to-sound mappings. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Skarha, M., Cusson, V., Frisson, C., Wanderley, M. M. (2021). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Calegario, F., Tragtenberg, J., Frisson, C., Meneses, E., Malloch, J., Cusson, V., Wanderley, M. M. (2021). Documentation and Replicability in the NIME Community. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021).. Shanghai, China.
• Charles Reimer, P. J., Wanderley, M. M. (2021). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Michael Winters, R., Wanderley, M. M. (2012). New Directions for the Sonification of Expressive Movement in Music Performance. In International Conference on Auditory Display. Atlanta, Georgia, USA.
• Hattwick, I., Malloch, J., Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 443–448). London, UK.
• West, T., Caramiaux, B., Huot, S., Wanderley, M. M. (2021). Making Mappings: Design Criteria for Live Performance. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Fukuda, T., Meneses, E., West, T. J., Wanderley, M. M. (2021). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Regimbal, J., Wanderley, M. M. (2021). Interpolating Audio and Haptic Control Spaces. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Santos, G., Wang, J., Medeiros, C., Wanderley, M. M., Tavares, T., Rocha, A. (2021). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Fraisse, V., Guastavino, C., Wanderley, M. M. (2021). A Visualization Tool to Explore Interactive Sound Installations. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Costalonga, L., Pimenta, M., Wanderley, M. M. (2021). Can Ubimus Technologies Affect our Musicality?. In PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.
• Wanderley, M. M., West, T., Rohs, J., Meneses, E. A. L., Frisson, C. (2021). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. In Audio Mostly 2021 Conference. Trento, Italy.
• Costalonga, L., Hora, D., Pimenta, M., Wanderley, M. M. (2021). The Ragpicking DMI Design: The Case for Green Computer Music. In 10th International Conference on Digital and Interactive Arts (ARTECH 2021). Aveiro, Portugal.
• Azevedo Costa Neto, A., Assunção de Araújo, N., Wanderley, M. M. (2021). Projeto: Cerrado: Unfolding Spaces. In 10th International Conference on Digital and Interactive Arts (ARTECH 2021). Aveiro, Portugal.
• Sinyor, E., Wanderley, M. M. (2005). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05) (pp. 42-45). Vancouver, Canada.
• Malloch, J., Birnbaum, D., Sinyor, E., Wanderley, M. M. (2006). A New Conceptual Framework for Digital Musical Instruments. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06) (pp. 49–52). Montreal, Canada.
• Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. In Proceedings of the 2010 international Computer Music Conference (ICMC2010) (pp. 100-103).
• Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller. In Proceedings of the 2010 international Computer Music Conference (ICMC2010) (pp. 100-103).

Contacts:

• Email: marcelo.wanderley@mcgill.ca