loading1
loading2

PUBLICATIONS

 

Books, chapters, articles, conference papers and theses

 

Books:

Pietrzak, T., Wanderley, M. M. (Eds.). (2020). Haptic and Audio Interface Design. Journal on Multimodal User Interfaces, Springer.

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). (2019). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Wanderley, M. M., Malloch, J. (Eds.). (2014). Advances in the Design of Mapping for Computer Music. Computer Music Journal, MIT Press.

Dias, M. S., Gibet, S., Wanderley, M. M., Bastos, R. (Eds.). (2009). Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag.

Miranda, E. R., Wanderley, M. M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc.

Wanderley, M. M. (Eds.). (2002). Mapping Strategies in Real-time Computer Music. Organised Sound, Cambridge University Press.

Wanderley, M. M., Battier, M. (Eds.). (2000). Trends in Gestural Control of Music. Ircam, Paris, France.


Book Chapters:

Wanderley, M. M. (2022). Recherche interdisciplinaire: Voie royale ou voie sans issue?. In Allaire, S., Deschenaux, F. (Eds.), Récits de professeurs d’université à mi carrière. Si c’était à refaire… (pp. 29-40). Presses de l‘Université du Québec.

Wanderley, M. M. (2022). Motion Capture of Music Performances. In McPherson, G. (Eds.), The Oxford Handbook of Music Performance (pp. 465–494). Oxford University Press.

Malloch, J., Garcia, J., Wanderley, M. M., Mackay, W. E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Wanderley, M. M., Mackay, W. (2019). HCI, Music and Art: An Interview with Wendy Mackay. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.), New Directions in Music and Human-Computer Interaction (pp. 115-120). Springer, Cham.

Nusseck, M., Wanderley, M. M., Spahn, C. (2018). Body Movements in Music Performances: The Example of Clarinet Players. In Müller, B., Wolf, S. (Eds.), Handbook of Human Motion. Springer, Cham.

Giordano, M., Sullivan, J., Wanderley, M. M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Papetti, S., Saitis, C. (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Franco, I., Wanderley, M. M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Malloch, J., Wanderley, M. M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In Lesaffre, M., Leman, M., Maes, P. (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).

Wanderley, M. M. (2017). Expert Commentary: Perry Cook’s Principles Still Going Strong. In Refsum Jensenius, A., Lyons, M. J. (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13).

Malloch, J., Sinclair, S., Hollinger, A., Wanderley, M. M. (2011). Input Devices and Music Interaction. In Solis, J., Ng, K. (Eds.), Musical Robots and Interactive Music Systems (pp. 67-83). Springer Verlag.

Jensenius, A. R., Wanderley, M. M., Inge Godøy, R., Leman, M. (2010). Musical Gesture: Concepts and Methods in Research. In Inge Godøy, R., Leman, M. (Eds.), Musical Gestures: Sound, Movement and Meaning (pp. 12-35). Routledge.

Wanderley, M. M. (2010). Projeto e Utilização de Instrumentos Musicais Digitais. In Keller, D. (Eds.), Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar 1, ANPOM.

Wanderley, M. M. (2006). Instrumentos Musicais Digitais – Gestos, Sensores e Interfaces. In Ilari, B. (Eds.), Em Busca da Mente Musical. Editora da Universidade Federal do Paraná.

Wanderley, M. M., Vines, B. (2006). Origins and Function of Clarinettists’ Ancillary Gestures. In Gritten, A., King, E. (Eds.), Music and Gesture: New Perspectives on Theory and Contemporary Practice.

Wanderley, M. M. (2002). Quantitative Analysis of Non-obvious Performer Gestures. In Wachsmuth and Sowa, I. T. (Eds.), Gesture and Sign Language in Human-Computer Interaction (pp. 241-253).

Cadoz, C., Wanderley, M. M. (2000). Gesture-Music. In Wanderley and Battier, M. M. M. (Eds.), Trends in Gestural Control of Music.

Wanderley, M. M. (1999). Non-Obvious Performer Gestures in Instrumental Music. In Braffort, A., Gherbi, R., Gibet, S., Richardson, J., Teil, D. (Eds.), Gesture-Based Communication in Human-Computer Interaction (pp. 37-48).


Journal Papers:

Sullivan, J., Guastavino, C., Wanderley, M. M. (2021). Surveying Digital Musical Instrument Use in Active Practice. Journal of New Music Research.

Verdugo, F., Begon, M., Gibet, S., Wanderley, M. M. (2021). Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes. Journal of Motor Behavior.

Costalonga, L., Pimenta, M., Wanderley, M. M. (2021). Can Ubimus Technologies Affect our Musicality?. PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.

Pras, A., Rodrigues, M. G., Grupp, V., Wanderley, M. M. (2021). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. Frontiers in Psychology.

Fraisse, V., Wanderley, M. M., Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact., Basel, Switzerland.

Freire, S., Santos, G., Armondes, A., Meneses, E. A. L., Wanderley, M. M. (2020). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors.

Pietrzak, T., Wanderley, M. M. (2020). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Turchet, L., West, T., Wanderley, M. M. (2020). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. Personal and Ubiquitous Computing.

Demos, A. P., Layeghi, H., Wanderley, M. M., Palmer, C. (2019). Staying together: A bidirectional delay-coupled approach to joint action. Cognitive Science.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology.

Caramiaux, B., Bevilacqua, F., Wanderley, M. M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M. M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Demos, A. P., Carter, D. J., Wanderley, M. M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M. M., Huot, S., Cabral, G., Ramalho, G. (2017). A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M. M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Hollinger, A., Wanderley, M. M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M. M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Perez Carrillo, A., Wanderley, M. M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.

Maes, P., Palmer, C., Wanderley, M. M. (2015). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. Experimental Brain Research, Springer Berlin Heidelberg.

Livingstone, S. R., Thompson, W. F., Wanderley, M. M., Palmer., C. (2014). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. Quarterly Journal of Experimental Psychology, Taylor & Francis.

Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal, MIT Press.

Sinclair, S., Wanderley, M. M., Hayward, V. (2014). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. IEEE Transactions on Haptics, IEEE.

Brum Medeiros, C., Wanderley, M. M. (2014). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. Sensors Journal.

Teixeira, E. C. F., Loureiro, M. A., Wanderley, M. M., Yehia, H. C. (2014). Motion Analysis of Clarinet Performers. Journal of New Music Research, Taylor & Francis.

Koehly, R., Wanderley, M. M., van de Ven, T., Curtil, D. (2014). In-House Development of Paper Force Sensors for Musical Applications. Computer Music Journal, MIT Press.

Brum Medeiros, C., Wanderley, M. M. (2014). Multiple-model Linear Kalman Filter Framework for Unpredictable Signals. IEEE Sensors Journal.

Michael Winters, R., Wanderley, M. M. (2014). Sonification of Emotion: Strategies and Results from the Intersection with Music. Organised Sound, Cambridge University Press.

Seger, R. A., Wanderley, M. M., Koerich., A. L. (2014). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. Expert Systems with Applications, Elsevier.

Maes, P., Leman, M., Palmer, C., Wanderley., M. M. (2014). Action-based Effect on Music Perception. Frontiers in Psychology, Frontiers Media S.A..

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2013). Gestural Strategies in the Harp Performance. Acta Acustica united with Acustica, Hirzel Verlag.

Thibodeau, J., Wanderley, M. M. (2013). Trumpet Augmentation and Technological Symbiosis. Computer Music Journal, MIT Press.

Brown, R. M., Chen, J. L., Hollinger, A., Penhune, V. B. (2013). Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music. Journal of Cognitive Neuroscience, MIT Press.

Michael Winters, R., Savard, A., Verfaille, V., Wanderley, M. M. (2012). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. The International Journal of Multimedia & Its Applications (IJMA), AIRCC Publishing Corporation.

Caramiaux, B., Wanderley, M. M., Bevilacqua, F. (2012). Segmenting and Parsing Instrumentalist’s Gestures. Journal of New Music Research, Routledge.

Bouënard, A., Gibet, S., Wanderley, M. M. (2012). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. The Visual Computer Journal, Springer.

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2012). Experimental study of the musician / instrument interaction in the case of the concert harp. Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.

Bouënard, A., Wanderley, M. M., Gibet, S., Marandola, F. (2011). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal, MIT Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin., D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition, Elsevier.

Schumacher, M., Bresson, J. (2010). Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press.

Ferguson, S., Wanderley, M. M. (2010). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. Journal of Interdisciplinary Music Studies.

Bouënard, A., Wanderley, M. M., Gibet, S. (2010). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. Acta Acustica united with Acustica, S. Hirzel Verlag.

Verfaille, V., Depalle, P., Wanderley., M. M. (2010). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. Journal of the Acoustical Society of America, Acoustical Society of America.

Marshall, M. T., Hartshorn, M., Wanderley, M. M., Levitin, D. J. (2009). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, Routledge.

Nusseck, M., Wanderley, M. M. (2009). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. Music Perception: An Interdisciplinary Journal, University of California Press.

Sinclair, S., Wanderley, M. M. (2009). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers, Elsevier.

Verfaille, V., Wanderley, M. M., Depalle, P. (2008). Indirect acquisition of flutist gestures: a case study of harmonic note fingerings. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Rebillout, A., Guillemain, P., Wanderley, M. M. (2008). Refining mapping strategies to improve the sound quality of physically controlled synthesis. Journal of the Acoustical Society of America, Acoustical Society of America.

Van Nort, D. (2006). Noise/music and representation systems. Organised Sound, Cambridge University Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, Elsevier.

Verfaille, V., Wanderley, M. M. (2006). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Wanderley and Philippe Depalle, M. M. (2006). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. Journal of New Music Research, Routledge.

Wanderley, M. M., Vines, B., Middleton, N., McKay, C., Hatch, W. (2005). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .

Wanderley, M. M., Depalle, P. (2004). Gestural Control of Sound Synthesis. Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication.

Hunt, A., Wanderley, M. M., Paradis, M. (2003). The Importance of Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, Routledge.

Wanderley, M. M., Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, MIT Press.

Hunt, A., Wanderley, M. M. (2002). Mapping Performance Parameters to Synthesis Engines. Organised Sound, Cambridge University Press.


Conference Papers:

MOST RECENT:

Boettcher, B., Malloch, J., Wang, J., Wanderley, M. M. (2022). Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. New Interfaces for Musical Expression (NIME) 2022.

Boettcher, B., Sullivan, J., Wanderley, M. M. (2022). Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. New Interfaces for Musical Expression (NIME) 2022.

2021

Lavastre, B., Wanderley, M. M. (2021). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan.

Azevedo Costa Neto, A., Assunção de Araújo, N., Wanderley, M. M. (2021). Projeto: Cerrado: Unfolding Spaces. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Costalonga, L., Hora, D., Pimenta, M., Wanderley, M. M. (2021). The Ragpicking DMI Design: The Case for Green Computer Music. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Wanderley, M. M., West, T., Rohs, J., Meneses, E. A. L., Frisson, C. (2021). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly 2021 Conference, Trento, Italy.

Calegario, F., Tragtenberg, J., Frisson, C., Meneses, E., Malloch, J., Cusson, V., Wanderley, M. M. (2021). Documentation and Replicability in the NIME Community. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021)., Shanghai, China.

Charles Reimer, P. J., Wanderley, M. M. (2021). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Skarha, M., Cusson, V., Frisson, C., Wanderley, M. M. (2021). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Frisson, C., Bredholt, M., Malloch, J., Wanderley, M. M. (2021). MapLooper: Live-looping of distributed gesture-to-sound mappings. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Masu, R., Pultz Melbye, A., Sullivan, J., Refsum Jensenius, A. (2021). NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fraisse, V., Guastavino, C., Wanderley, M. M. (2021). A Visualization Tool to Explore Interactive Sound Installations. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Santos, G., Wang, J., Medeiros, C., Wanderley, M. M., Tavares, T., Rocha, A. (2021). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Regimbal, J., Wanderley, M. M. (2021). Interpolating Audio and Haptic Control Spaces. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

West, T., Caramiaux, B., Huot, S., Wanderley, M. M. (2021). Making Mappings: Design Criteria for Live Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fukuda, T., Meneses, E., West, T. J., Wanderley, M. M. (2021). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

2020

Frisson, C., Decaudin, J., Sanz-Lopez, M., Pietrzak, T. (2020). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M. M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

West, T., Caramiaux, B., Wanderley, M. M. (2020). Making Mappings: Examining the Design Process. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M. M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Wang, J., Meneses, E., Wanderley, M. M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, U.K..

Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M. M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Verdugo, F., Kokubu, S., Wang, J., Wanderley, M. M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Kirkegaard, M., Bredholt, M., Marcelo Wanderley, a. M. (2020). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Meneses, E. A. L., Fukuda, T., Wanderley, M. M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E. A. L., Wanderley, M. M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M. M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Wanderley, M. M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

2019

Sullivan, J., Wanderley, M. M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Marcelo Wanderley, a. M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France.

Tom, A., Venkatesan, H., Franco, I., Wanderley, M. M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Meneses, E., Wang, J., Freire, S., Wanderley, M. M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Wang, J., Mulder, A., Wanderley, M. M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. Proceedings of the 2019 International Workshop of Haptic and Audio Interaction Design (HAID 2019), Lille, France.

Yaremchuk, V., Medeiros, C. B., Wanderley, M. M. (2019). Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Wang, S., Wanderley, M. M., Scavone, G. (2019). The Study of Mapping Strategies Between Excitators of the Single-Reed Woodwind and the Bowed String. Proceedings of the 7th Conference on Sound and Music Technology (CSMT), China.

2018

Barbosa, J., Wanderley, M. M., Huot, S. (2018). ZenStates: Easy-to-Understand yet Expressive Specifications for Creative Interactive Environments. Proceedings of IEEE Symposium on Visual Languages and Human-Centric Computing, Lisbon, Portugal.

Sullivan, J., Wanderley, M. M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M. M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing (MOCO'18), Genoa, Italy.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Cowden, P., Dosiek, L. (2018). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Meneses, E. A. L., Freire, S., Wanderley, M. M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Nieva, A., Wang, J., Malloch, J., Wanderley, M. M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Egloff, D., Wanderley, M. M., Frissen, I. (2018). Haptic Display of Melodic Intervals for Musical Applications. Proceedings of the 2018 IEEE Haptics Symposium, San Francisco, CA, USA.

Morreale, F., McPherson, A. P., Wanderley, M. M. (2018). NIME Identity from the Performer’s Perspective. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Malloch, J., Marlon Schumacher, M., Sinclair, S., Wanderley, M. M. (2018). The Digital Orchestra Toolbox for MAX. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

2017

Goncalves Duarte, E., Fernandes Tavares, T. (2017). A tool for the musical education of Deaf people. .

Meneses, E. A. L., Wanderley, M. M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Ignoto, P., Hattwick, I., Wanderley, M. M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M. M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M. M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Palmer and Marcelo Wanderley, C. M. (2017). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

Hattwick, i., Wanderley, M. M. (2017). Design of Hardware Systems for Professional Artistic Applications. Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017), Copenhagen, Denmark.

Barbosa, J., Wanderley, M. M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017), Copenhagen, Denmark.

Hattwick, I., Franco, I., Wanderley, M. M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. Proc. of the International Conference on Human-Computer Interaction (HCII), Vancouver, BC, Canada.

2016

Bhagwati, S., Wanderley, M. M., Sullivan, J., Giordano, M. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Franco, I., Wanderley, M. M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

2015

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M. M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, T., Salter and Marcelo Wanderley, C. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Barbosa, J., Calegario, F., Tragtenberg, J., Cabral, G., Ramalho, G., Wanderley, M. M. (2015). Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Perez Carrillo, A., Arcos, J., Wanderley, M. M. (2015). Estimation of Guitar Fingering and Plucking Controls based on Multimodal Analysis of Motion, Audio and Musical Score. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR).

Tits, M., Tilmanne, J., D’Alessandro, N., Wanderley, M. M. (2015). Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures. Proceedings of the International Computer Music Conference (ICMC), Denton, TX, USA.

Hattwick, I., Wanderley, M. M. (2015). Interactive Lighting in the Pearl: Considerations and Implementation. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Franco, I., Wanderley, M. M. (2015). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME2015), Baton Rouge, LA, USA.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M. M. (2015). What does ‘Evaluation’ mean for the NIME community?. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

2014

Hattwick, I., Malloch, J., Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Hattwick, I., Beebe, P., Hale, Z., Wanderley, M. M., Leroux, P., Marandola, F. (2014). Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Kell, T., Wanderley, M. M. (2014). A High-Level Review of Mappings in Musical iOS Applications. Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC), Athens, Greece.

Yaremchuk, V., Wanderley, M. M. (2014). Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. Proceedings of 1st International Conference on Movement Computing (MOCO'14), Paris, France.

Rosa Mamedes, C., Rodrigues, M. G., Wanderley, M. M., Manzolli, J., Garcia, D. H. L., Ferreira Lopes, P. (2014). Composing for DMIs – Entoa, music for Intonaspacio. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Bacon, B., Wanderley, M. M., Marandola, F. (2014). Handedness in Percussion Sight-Reading. Proceedings of 1st International Conference on Movement Computing (MOCO'14), Paris, France.

Rodrigues, M. G., Wanderley, M. M., Lopes, P. F. (2014). Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers.

Bernays, M., Depalle, P., Wanderley, M. M. (2014). Perception and Identification of Piano timbre Nuances in Digital Performance Simulation vs. Audio Recordings. Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM'14), Berlin, Germany.

Frid, E., Giordano, M., Schumacher, M., Wanderley, M. M. (2014). Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC), Athens, Greece.

Lourenço, S., Gustavo Martins, L., Tits, M., Wanderley, M. M., Megre, R. (2014). Towards a multimodal analysis of European Piano Schools of Music Performance. Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM'14), Berlin, Germany.

Knutzen, H., Kvifte, T., Wanderley, M. M. (2014). Vibrotactile Feedback for an Open Air Music Controller. 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers.

2013

Kell, T., Wanderley, M. M. (2013). A Quantitative Review of Mappings in Musical iOS Applications. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Schiavoni, F. L., Queiroz, M., Wanderley, M. M. (2013). Alternatives in Network Transport Protocols for Audio Streaming Applications. Proceedings of the 2013 International Computer Music Conference (ICMC), Perth, Australia.

Ghamsari, M., Pras, A., Wanderley, M. M. (2013). Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Michael Winters, R., Hattwick, I., Wanderley, M. M. (2013). Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer. Proceedings of the 3rd International Conference on Music & Emotion (ICME 2013), Jyväskylä, Finland.

Dalca, I., Vines, B. W., Pearce, M. T., Wanderley, M. M. (2013). Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Cabrol, F., McGuffin, M. J., Schumacher, M., Wanderley, M. M. (2013). GenSession: a Flexible Zoomable User Interface for Melody Generation. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Giordano, M., Wanderley, M. M. (2013). Measuring the Haptic Behavior of an Acoustic Guitar by Means of a Vibrating Actuator. Proceedings of the 2013 International Congress on Acoustics (ICA 2013), Montreal, Qc, Canada.

Teixeira, E., Loureiro, M., Yehia, H., Wanderley, M. M. (2013). Motion Recurrence Analysis in Music Performances. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Hollinger, A., Wanderley, M. M. (2013). MRI-Compatible Optically-Sensed Cello. IEEE Sensors Conference.

Schiavoni, F. L., Queiroz, M., Wanderley, M. M. (2013). Network Music with Medusa: A comparison of tempo alignment in existing MIDI APIs. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Giordano, M., Wanderley, M. M. (2013). Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. Proceedings of the 2013 Haptics-Audio Interaction Design Workshop (HAID2013), Daejeon, Korea.

Michael Winters, R., Wanderley, M. M. (2013). Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence. Proceedings of the 3rd International Conference on Music & Emotion (ICME 2013), Jyväskylä, Finland.

Burlet, G., Wanderley, M. M., Fujinaga, I. (2013). Stompboxes: Kicking the Habit. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression (NIME 2013), Daejeon, Korea.

Rosa Mamedes, C., Wanderley, M. M., Manzolli, J., Lopes Garcia, D. (2013). Strategies for mapping control in interactive audiovisual installations. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Bacon, B., Wanderley, M. M. (2013). The Effects of Handedness in Percussion Performative Gesture. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Schumacher, M., Giordano, M., Wanderley and Sean Ferguson, M. M. (2013). Vibrotactile Notifications for Live Electronics Performance: A Prototype System. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

2012

Rosa Mamedes, C., Fornari, J., Manzolli, J., Hortência Lopes Garcia, D. (2012). Abstrações: apontamentos sobre o comportamento de visitantes. Encontro Internacional de Música e Arte Sonora, Juiz de Fora, Brasil.

Rosa Mamedes, C., Manzolli, J., Hortência Lopes Garcia, D., Fornari, J. (2012). Cerejeira: delimitadores ambientais para controle de diversidade utilizando algoritmos genéticos interativos. XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), João Pessoa, Brasil.

Michael Winters, R., Wanderley, M. M. (2012). New Directions for the Sonification of Expressive Movement in Music Performance. International Conference on Auditory Display, Atlanta, Georgia, USA.

Hattwick, I., Wanderley, M. M. (2012). A Dimension Space for Evaluating Collaborative Musical Performance Systems. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Vigliensoni, G., Wanderley, M. M. (2012). A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Giordano, M., Sinclair, S., Wanderley, M. M. (2012). Bowing a Vibration-enhanced Force Feedback Device. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Chadefaux, D., Wanderley, M. M., Le Carrou, J., Fabre, B., Daudet, L. (2012). Experimental Study of the Musician/Instrument Interaction in the Case of the Concert Harp. Proceedings of Acoustics 2012, Nantes, France.

Tache, O., Sinclair, S., Wanderley, M. M. (2012). Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Simulations. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Perez Carrillo, A., Wanderley, M. M. (2012). Learning and Extraction of Violin Instrumental Controls from Audio Signal. Proceedings of the MIRUM Workshop, ACM Multimedia Conference, Nara, Japan.

Hollinger, A., Wanderley, M. M. (2012). Optoelectronic Acquisition and Control Board for Musical Applications. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Germain, F., Abel, J., Depalle, P., Wanderley, M. M. (2012). Uniform Noise Sequences for Nonlinear System Identification. Proceedings of the 2012 International Conference on Digital Audio Effects (DAFx2012), York, UK.

2011

Rosa Mamedes, C., Hortência Lopes Garcia, D., Fornari, J., Manzolli, J. (2011). Abstrações: an audiovisual installation based on motion recognizing. 4th International Congress on Image and Signal Processing CISP 2011 / IEEE, Shanghai, China.

Brum Medeiros, C., Wanderley, M. M. (2011). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011).

Giordano, M., Wanderley, M. M. (2011). A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation. Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011), Padova, Italy.

Marshall, M. T., Wanderley, M. M. (2011). Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME 2011), Oslo, Norway.

Sinclair, S., Wanderley, M. M., Hayward, V., Scavone, G. (2011). Noise-free Haptic Interaction with a Bowed-string Acoustic Model. Proceedings of the IEEE World Haptics Conference, Istanbul, Turkey.

2010

Hollinger, A., Thibodeau, J., Wanderley, M. M. (2010). An Embedded Hardware Platform for Fungible Interfaces. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Grond, F., Hermann, T., Verfaille, V., Wanderley, M. M. (2010). Methods for the Effective Sonification of of Clarinetists’ Ancillary Gestures. Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers. LNAI 5934.

Bianco, T., Wanderley, M. M., Bevilacqua, F. (2010). Mimicry of Tone Production: Results from a pilot experiment. Proceedings of the 2010 Sound and Music Computing Conference (SMC2010), Barcelona, Spain.

Baalman, M. A. J., de Belleval, V., Malloch, J., Thibodeau, J., Salter, C. L., Wanderley, M. M. (2010). SENSE/STAGE – Low Cost, Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real-time Environments. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Grond, F., Bouënard, A., Hermann, T., Wanderley, M. M. (2010). Virtual Auditory Myography of Timpani-playing Avatars. Proceedings of the 2010 International Conference on Digital Audio Effects (DAFx2010), Graz, Austria.

Souza, F. F., Maia Jr., A., Wanderley, M. M. (2010). An Input Device to Control Granular Sound Processes. Proceedings of the 8th Congresso de Engenharia de Áudio/14a Convenção Nacional da AES Brasil, São Paulo, SP, Brazil.

Schumacher, M., Bresson, J. (2010). Compositional Control of Periphonic Sound Spatialization. Paris, France.

Bresson, J., Agnon, C., Schumacher, M. (2010). Représentation des donneés de contrôle pour la spatialiasation dans OpenMusic. Rennes, France.

2009

Rocha and Joseph Malloch, F. (2009). The Hyper-Kalimba: Developing and Augmented Instrument from a Performer’s Perspective. Proceedings of the Sound and Music Computing Conference (SMC).

Sinclair, S., Florens, J., Wanderley, M. M. (2009). A Haptic Simulator for Gestural Interaction with the Bowed String. Proceedings of the 10ème Congrès Français d’Acoustique, Lyon, France.

Bouënard, A., Wanderley, M. M., Gibet, S. (2009). Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Sinclair, S., Scavone, G., Wanderley, M. M. (2009). Audio-Haptic Interaction with the Digital Waveguide Bowed String. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Collicutt, M., Casciato, C., Wanderley, M. M. (2009). From Real to Virtual: A Comparison of Input Devices for Percussion Tasks. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Marshall, M. T., Malloch, J., Wanderley, M. M. (2009). Gestural Control of Sound Spatialization for Live Musical Performance. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS series Vol. 5085.

Bouënard, A., Gibet, S., Wanderley, M. M. (2009). Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures. Proceedings of the International Conference on Computer Animation and Social Agents (CASA'09), Amsterdam, The Netherlands.

Mazzarino, B., Peinado, M., Boulic, R., Volpe, G., Wanderley, M. M. (2009). Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085.

Lähdeoja, O., Wanderley, M. M., Malloch, J. (2009). Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects. Proceedings of the 2006 Sound and Music Computing Conference (SMC2006),, Porto, Portugal.

Hockman, J. A., Wanderley, M. M., Fujinaga, I. (2009). Real-time Phase Vocoder Manipulation by Runner’s Pace. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Baalman, M. A. J., Smoak, H. C., Salter, C. L., Malloch, J., Wanderley, M. M. (2009). Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Rasamimanana, N. H., Bernardin, D., Wanderley, M. M., Bevilacqua, F. (2009). String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS series Vol. 5085.

Pestova, X., Donald, E., Hindman, H., Malloch, J., Marshall, M. T., Rocha, F., Sinclair, S., Andrew Stewart, D., Wanderley, M. M., Ferguson, S. (2009). The CIRMMT/McGill Digital Orchestra Project. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Zadel, M., Sinclair, S., Wanderley, M. M. (2009). Haptic Feedback for Different Strokes Using DIMPLE. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

2008

Zadel, M., Scavone, G. (2008). Recent Developments in the Different Strokes Environment. Proceedings of the 2008 International Computer Music Conference (ICMC).

Malloch, J., Sinclair, S., Wanderley, M. M. (2008). A network-based framework for collaborative development and performance of digital musical instruments. CMMR 2007, - Proceedings of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969, Berlin, Germany.

Bouënard, A., Wanderley, M. M., Gibet, S. (2008). Analysis of Percussion Grip for Physically Based Character Animation. Proceedings of the 5th International Conference on Enactive Interfaces (ENACTIVE 2008), Pisa, Italy.

Bouënard, A., Gibet, S., Wanderley, M. M. (2008). Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. Genova, Italy.

Marentakis, G., Malloch, J., Peters, N., Marshall, M., Wanderley, M., McAdams, S. (2008). Influence of Performance Gestures on the Identification of Spatial Sound Trajectories in a Concert Hall. Proceedings of the 2008 International Conference on Auditory Display (ICAD 2008), Paris, France.

2007

Schoonderwaldt, E., Wanderley., M. M. (2007). Visualization of Bowing Gestures for Feedback: The Hodgson Plot. Proceedings of the I-Maestro Workshop 2007, Barcelona, Spain.

Sinclair, S., Wanderley, M. M. (2007). Extending DIMPLE: a rigid body haptic simulator for interactive control of sound. Proceedings of the International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Malloch, J., Sinclair, S., Wanderley, M. M. (2007). From controller to sound: Tools for collaborative development of digital musical instruments. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Malloch, J., Wanderley, M. M. (2007). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Birnbaum, D. M., Wanderley, M. M. (2007). A Systematic Approach to Musical Vibrotactile Feedback. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Koehly, R., Curtil, D., van de Ven, T., Wanderley, M. M. (2007). Carbon Black Loaded Paper: An Intelligent Substrate for Electronic Sensors Design. Proceedings of the IARIGAI 2007 Conference, Grenoble, France.

Van Nort, D., Gauthier, D., Xin Wei, S., Wanderley, M. M. (2007). Extraction of Gestural Meaning from a Fabric-Based Instrument. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Hollinger, A., Penhune, V., Zatorre, R., Steele, C., Wanderley, M. M. (2007). fMRI-Compatible Electronic Controllers. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Kereliuk, C., Scherrer, B., Verfaille, V., Depalle, P., Wanderley, M. M. (2007). Indirect Acquisition of Fingerings of Harmonic Notes on the Flute. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Casciato, C., Wanderley, M. M. (2007). Lessons from Long Term Gestural Controller Users. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Birnbaum, D., Abtan, F., Xin Wei, S., Wanderley, M. M. (2007). Mapping and Dimensionality of a Cloth-based Sound Instrument. Proceedings of the 2007 Sound and Music Computing Conference (SMC2007), Lefkada, Greece.

Marshall, M. T., Malloch, J., Wanderley, M. M. (2007). Non-Conscious Control of Sound Spatialization. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE2007), Grenoble, France.

Nusseck, M., Wanderley, M. M., Schoonderwaldt, E. (2007). Validating Kinematic Displays for the Perception of Musical Performance. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Schoonderwaldt, E., Sinclair, S., Wanderley, M. M. (2007). Why Do We Need 5-DOF Force Feedback? The case of Violin Bowing. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Sinclair, S., Wanderley, M. M. (2007). Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Sinclair, S., Wanderley, M. M. (2007). Using PureData to control a haptically-enabled virtual environment. Proceedings of the PureData Convention '07, Montreal, Qc, Canada.

2006

Van Nort, D., Depalle, P. (2006). A Stochastic State-Space Phase Vocoder for Synthesis of Roughness. Proc. of the Int. Conf. on Digital Audio Effects (DAFx2006), Montreal, Quebec, Canada.

Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. Proc. of the 2006 Sound and Music Computing Conference (SMC2006), Marseille, France.

Verfaille, V., Quek, O., Wanderley, M. M. (2006). Sonification of Musician’s Ancillary Gestures. Proceedings of the 2006 International Conference on Auditory Display (ICAD2006), London, England.

Kvifte, T., Refsum Jensenius, A. (2006). Towards a Coherent Terminology and Model of Instrument Description and Design. Proceedings of the International Conference on New Interfaces for Musical Expression.

Jensenius, A. R., Kvifte, T., Inge Godøy, R. (2006). Towards a Gesture Description Interchange Format. Proceedings of the International Conference on New Interfaces for Musical Expression, Paris: IRCAM - Centre Pompidou.

Malloch, J., Birnbaum, D., Sinyor, E., Wanderley, M. M. (2006). A New Conceptual Framework for Digital Musical Instruments. Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Qc, Canada.

Jensenius, A. R., Koehly, R., Wanderley, M. M. (2006). Building Low-Cost Music Controllers. CMMR 2005 - Proceedings of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902.

Burns and Marcelo Wanderley, A. M. (2006). Computer Vision Method for Guitarist Fingering Retrieval. Proceedings of the 2006 Sound and Music Computing Conference (SMC2006), Marseille, France.

Zadel, M., Scavone, G. (2006). Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Marshall, M., Wanderley, M. M. (2006). Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR 2005 - Proceedings of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902.

Marshall, M. T., Peters, N., Jensenius, A. R., Boissinot, J., Wanderley, M. M., Braasch, J. (2006). On the Development of a System for Gesture Control of Spatialization. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, LA, USA.

Koehly, R., Wanderley, M. M., Curtil, D. (2006). Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Wanderley, M. M., Malloch, J., Birnbaum, D., Sinyor, E., Boissinot, J. (2006). SensorWiki.org: A Collaborative Resource on Transducers for Researchers and Interface Designers. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Verfaille, V., Boissinot, J., Depalle, P., Wanderley, M. M. (2006). Ssynth: A Real Time Additive Synthesizer with Flexible Control. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, LA, USA.

Scavone, G., Wanderley, M. M. (2006). The Music Technology Program at McGill University. Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, FL, USA.

Marshall, M. T., Wanderley, M. M. (2006). Vibrotactile Feedback in Digital Musical Instruments. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Burns, A., Wanderley, M. M. (2006). Visual Methods for the Retrieval of Guitarist Fingering. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, USA.

2005

Jensenius, A. R., Inge Godoy, R., Wanderley, M. M. (2005). Developing Tools for Studying Musical Gestures within the MAX/MSP/JITTER Environment. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin, D. J. (2005). Dimensions of Emotion in Expressive Musical Performance. Annals of the New York Academy of Sciences.

Kolesnik, P., Wanderley, M. M. (2005). Implementation of the Discrete Hidden Markov Model in Max / MSP Environment. Proceedings of the FLAIRS 2005 Conference, Miami, FL, USA.

da Silva, A., Wanderley, M. M., Scavone, G. (2005). On the Use of Flute Air Jet as a Musical Control Variable. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, BC, Canada.

Birnbaum, D., Fiebrink, R., Malloch, J., Wanderley, M. M. (2005). Towards a Dimension Space for Musical Artifacts. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, BC, Canada.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Vancouver, Canada.

Sinyor, E., Wanderley, M. M. (2005). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, Canada.

2004

Van Nort, D., Wanderley, M. M., Depalle, P. (2004). On the Choice of Mappings based on Geometrical Properties. Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME 2004), Hamamatsu, Japan.

Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Gesture-Based Communication in Human-Computer Interaction. GW 2003. Lecture Notes in Computer Science, vol 2915.

Kolesnik, P., Wanderley, M. M. (2004). Recognition, Analysis and Performance with Expressive Conducting Gestures. Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, FL, USA.

Peinado, M., Herbelin, B., Wanderley, M., Le Callennec, B., Boulic, R., Thalmann, D. (2004). Towards Configurable Motion Capture with Prioritized Inverse Kinematics. Proceedings of the Third International Workshop on Virtual Rehabilitation (IWVR2004), Lausanne, Switzerland.

Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Genova, Italy.

2003

Traube, C., Depalle, P., Wanderley, M. M. (2003). Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. Proceedings of the 2003 International Conference on New Interfaces for Musical Expression (NIME 2003), Montreal, Qc, Canada.

2002

Wanderley, M. M. (2002). Quantitative Analysis of Non-Obvious Performer Gestures. Gesture and Sign Language in Human-Computer Interaction - Proceedings of Gesture Workshop 2001, London, UK.

Hunt, A., Wanderley, M. M., Paradis, M. (2002). The Importance of Parameter Mapping in Electronic Instrument Design. Proceedings of the 2002 International Conference on New Interfaces for Musical Expression (NIME 2002), Dublin, Ireland.

Older

Wanderley, M. M., Depalle, P. (2001). Gesturally-Controlled Digital Audio Effects. Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx2001), Limerick, Ireland.

Wanderley, M. M., Depalle, P., Warusfel, O. (1999). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. Proceedings of the international Computer Music Conference.


Theses:

 

Doctoral Dissertations

Meneses, E. A. L. (2022). Iterative Design in DMIs and AMIs: Expanding and embedding a high-level gesture vocabulary for the T-Stick and GuitarAMI. Ph.D. Thesis, McGill University, Montreal, Qc, Canada.

Wang, J. (2022). Analysis of Wireless Interface Latency and Usability for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Qc, Canada.

Sullivan, J. (2021). Built to Perform: Designing Digital Musical Instruments for Professional Use. Ph.D. Thesis, McGill University, Montreal, Canada.

Massie-Laberge, C. (2019). Kinematic, Kinetic and Perceptual Analyses of Piano Performances. Ph.D. Thesis, McGill University, Montreal, Canada.

Franco, I. (2019). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Hattwick, I. (2017). The Creation of Hardware Systems for Professional Artistic Productions. Ph.D. Thesis, McGill University, McGill University, Canada.

Fernandes Santos, T. (2017). The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance. D.Mus Thesis, Universidade Federal de Minas Gerais, Belo Horizonte, Brazil.

Schumacher, M. (2016). A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. Ph.D. Thesis, McGill University, Montreal, Canada.

Giordano, M. (2016). Vibrotactile Feedback and Stimulation in Music Performance. Ph.D. Thesis, McGill University, Montreal, Canada.

Brum Medeiros, C. (2015). Advanced Instrumentation and Sensor Fusion Methods in Input Devices for Musical Expression. Ph.D. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2014). Optical Sensing, Embedded Systems, and Musical Interfaces for Functional Neuroimaging. Ph.D. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2013). A Framework and Tools for Mapping of Digital Musical Instruments. Ph.D. thesis, Music Technology, Montreal, Canada.

Sinclair, S. (2012). Velocity-driven Audio-Haptic Interaction With Real-Time Digital Acoustic Models. Ph.D. Thesis, McGill University, Montreal, Canada.

Zadel, M. (2012). Graphical Performance Software in Contexts: Explorations with Different Strokes. Ph.D. Thesis, McGill University, Montreal, Canada.

Palacio-Quintin, C. (2012). Composition d’œuvres pour hyper-flûtes et traitement audionumérique interactif. D.Mus. Thesis, Université de Montréal, Montreal, Canada.

Koehly, R. (2011). Fabrication of Sustainable Resistive-Based Paper Touch Sensors: Application to Music Technology. Ph.D. Thesis, McGill University, Montreal, Canada.

Van Nort, D. (2010). Modular and Adaptive Control of Sound Processing. Ph.D. Thesis, McGill University, Montreal, Canada.

Bouënard, A. (2009). Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis. Ph.D. Thesis, Université de Bretagne Sud, Bretagne, France.

Marshall, M. T. (2008). Physical Interface Design for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Canada.

Master’s Theses

Kirkegaard, M. (2021). Integrating 1-DoF Force Feedback Interactions In Self-Contained DMIs. M.A. Thesis, McGill University, Montreal, Canada.

Bredholt, M. (2021). Live-looping of Distributed Gesture-to-sound Mappings. M.A. Thesis, McGill University, Montreal, Canada.

West, T. (2020). Making Mappings: Examining the Design Process with Libmapper and the T-Stick. M.A. Thesis, McGill University, Montreal, Canada.

Tirumala Bukkapatnam, A. (2019). A Pre-Characterized Toolkit for Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Marci, I. (2018). Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Nieva, A. (2018). Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression. M.A. Thesis, McGill University, Montreal, Canada.

Ignoto, P. (2018). Development and implementation of a vibrotactile click track to assist contemporary music conducting. M.A. Thesis, McGill University, Montreal, Canada.

Vogels, J. (2014). Harmonica-inspired digital musical instrument design based on an existing gestural performance repertoire. M.A. Thesis, McGill University, Montreal, Canada.

Bacon, B. (2014). The Effects of Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Kell, T. (2014). Musical Mapping of Two-Dimensional Touch-Based Control Layouts. M.A. Thesis, McGill University, Montreal, Canada.

Ghamsari-Esfahani, M. (2013). An Evaluation of the role of Mapping in Skill Acquisition on Digital Musical Instruments. M.A. Thesis, McGill University, Montreal, Canada.

Krajeski, A. (2013). A Flexible Tool for the Visualization of Musical Mapping Networks. M.A. thesis, McGill University, Montreal, Canada.

Wilansky, J. (2013). A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments. M.A. thesis, McGill University.

Michael Winters IV, R. (2013). Exploring Music through Sound: Sonification of Emotion, Gesture, and Corpora. M.A. Thesis,. McGill University, Montreal, Canada.

Angeles, B. (2012). Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio. M.A. Thesis, McGill University, Montreal, Canada.

Rudraraju, V. (2011). A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks. M.A. thesis, McGill University, Montreal, Canada.

Germain, F. G. (2011). A Nonlinear Analysis Framework for Electronic Synthesizer Circuits. M.A. Thesis, McGill University, Montreal, Canada.

Vigliensoni, G. (2011). Touchless Gestural Control of Concatenative Sound Synthesis. M.A. Thesis, McGill University, Montreal, Canada.

Thibodeau, J. (2011). Trumpet Augmentation: Rebirth and Symbiosis of an Acoustic Instrument. M.A. Thesis, McGill University, Montreal, Canada.

Savard, A. (2009). When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians’ Ancillary Gestures. M.A. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2008). Design of fMRI-compatible electronic musical interfaces. M.A. Thesis, McGill University, Montreal, Canada.

Birnbaum, D. (2007). Musical Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Zaborowski, P. (2007). A Novel Input Device For Thumb Control. M.A. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. M.A. thesis, McGill University, Montreal, Canada.

Sinclair, S. (2007). Force-Feedback Hand Controllers for Musical Interaction. M.A. Thesis, McGill University, Montreal, Canada.

Burns, A. (2007). Computer Vision Methods for Guitarist Left-Hand Fingering Recognition. M.A. Thesis, McGill University, Montreal, Canada.

Sinyor, E. (2006). Digital Musical Instruments: A Design Approach Based on Moving Mechanical Systems. M.A. Thesis, McGill University, Montreal, Canada.

Kolesnik, P. (2004). Conducting Gesture Recognition, Analysis and Performance System. M.A. Thesis, McGill University, Montreal, Canada.


Technical Reports:

Bouënard, A., Gibet, S., Wanderley, M. M. (2009). Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis. .

Bouënard, A., Wanderley, M. ., Gibet, S. (2009). Analysis of Timpani Preparatory Gesture Parameterization. International Gesture Workshop.

Burns, A., Mazzarino, B. (2005). Finger Tracking Methods Using EyesWeb. .

Campbell, L., Chagnon, M., Wanderley, M. M. (2005). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.

Campbell, L. (2005). The Observation of Movement. Report MUMT-609 Seminar. Input Devices and Music Interaction Laboratory (PDF document, 432 kbytes) Copyright: McGill University.

Verron, C. (2005). Traitement et visualisation de données gestuelles captées par Optotrak. Input Devices and Music Interaction Laboratory (PDF document, 1.9 Mbytes) Copyright: McGill University.

Zadel, M., Kosek, P. C., Wanderley, M. M. (2004). An Inertial, Pliable Interface. An Inertial, Pliable Interface.

Wanderley, M. M., Middleton, N., McKay, C., Hatch, W., Vines, B. W. (2004). Expressive Movements of Clarinetists: Quantification and Musical Considerations. (PDF document, 1.6 Mbytes) Copyright: McGill University.

Depalle, P., Tassart, S., Wanderley, M. M. (1997). Instruments Virtuels. Résonances, Paris, France.

Books:

Pietrzak, T., Wanderley, M. M. (Eds.). (2020). Haptic and Audio Interface Design. Journal on Multimodal User Interfaces, Springer.

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). (2019). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Wanderley, M. M., Malloch, J. (Eds.). (2014). Advances in the Design of Mapping for Computer Music. Computer Music Journal, MIT Press.

Dias, M. S., Gibet, S., Wanderley, M. M., Bastos, R. (Eds.). (2009). Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag.

Miranda, E. R., Wanderley, M. M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc.

Wanderley, M. M. (Eds.). (2002). Mapping Strategies in Real-time Computer Music. Organised Sound, Cambridge University Press.

Wanderley, M. M., Battier, M. (Eds.). (2000). Trends in Gestural Control of Music. Ircam, Paris, France.

Book Sections:

Wanderley, M. M. (2022). Recherche interdisciplinaire: Voie royale ou voie sans issue?. In Allaire, S., Deschenaux, F. (Eds.), Récits de professeurs d’université à mi carrière. Si c’était à refaire… (pp. 29-40). Presses de l‘Université du Québec.

Wanderley, M. M. (2022). Motion Capture of Music Performances. In McPherson, G. (Eds.), The Oxford Handbook of Music Performance (pp. 465–494). Oxford University Press.

Malloch, J., Garcia, J., Wanderley, M. M., Mackay, W. E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Wanderley, M. M., Mackay, W. (2019). HCI, Music and Art: An Interview with Wendy Mackay. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.), New Directions in Music and Human-Computer Interaction (pp. 115-120). Springer, Cham.

Nusseck, M., Wanderley, M. M., Spahn, C. (2018). Body Movements in Music Performances: The Example of Clarinet Players. In Müller, B., Wolf, S. (Eds.), Handbook of Human Motion. Springer, Cham.

Giordano, M., Sullivan, J., Wanderley, M. M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Papetti, S., Saitis, C. (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Franco, I., Wanderley, M. M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Malloch, J., Wanderley, M. M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In Lesaffre, M., Leman, M., Maes, P. (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).

Wanderley, M. M. (2017). Expert Commentary: Perry Cook’s Principles Still Going Strong. In Refsum Jensenius, A., Lyons, M. J. (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13).

Malloch, J., Sinclair, S., Hollinger, A., Wanderley, M. M. (2011). Input Devices and Music Interaction. In Solis, J., Ng, K. (Eds.), Musical Robots and Interactive Music Systems (pp. 67-83). Springer Verlag.

Jensenius, A. R., Wanderley, M. M., Inge Godøy, R., Leman, M. (2010). Musical Gesture: Concepts and Methods in Research. In Inge Godøy, R., Leman, M. (Eds.), Musical Gestures: Sound, Movement and Meaning (pp. 12-35). Routledge.

Wanderley, M. M. (2010). Projeto e Utilização de Instrumentos Musicais Digitais. In Keller, D. (Eds.), Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar 1, ANPOM.

Wanderley, M. M. (2006). Instrumentos Musicais Digitais – Gestos, Sensores e Interfaces. In Ilari, B. (Eds.), Em Busca da Mente Musical. Editora da Universidade Federal do Paraná.

Wanderley, M. M., Vines, B. (2006). Origins and Function of Clarinettists’ Ancillary Gestures. In Gritten, A., King, E. (Eds.), Music and Gesture: New Perspectives on Theory and Contemporary Practice.

Wanderley, M. M. (2002). Quantitative Analysis of Non-obvious Performer Gestures. In Wachsmuth and Sowa, I. T. (Eds.), Gesture and Sign Language in Human-Computer Interaction (pp. 241-253).

Cadoz, C., Wanderley, M. M. (2000). Gesture-Music. In Wanderley and Battier, M. M. M. (Eds.), Trends in Gestural Control of Music.

Wanderley, M. M. (1999). Non-Obvious Performer Gestures in Instrumental Music. In Braffort, A., Gherbi, R., Gibet, S., Richardson, J., Teil, D. (Eds.), Gesture-Based Communication in Human-Computer Interaction (pp. 37-48).

Journal Papers:

Sullivan, J., Guastavino, C., Wanderley, M. M. (2021). Surveying Digital Musical Instrument Use in Active Practice. Journal of New Music Research.

Verdugo, F., Begon, M., Gibet, S., Wanderley, M. M. (2021). Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes. Journal of Motor Behavior.

Costalonga, L., Pimenta, M., Wanderley, M. M. (2021). Can Ubimus Technologies Affect our Musicality?. PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.

Pras, A., Rodrigues, M. G., Grupp, V., Wanderley, M. M. (2021). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. Frontiers in Psychology.

Fraisse, V., Wanderley, M. M., Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact., Basel, Switzerland.

Freire, S., Santos, G., Armondes, A., Meneses, E. A. L., Wanderley, M. M. (2020). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors.

Pietrzak, T., Wanderley, M. M. (2020). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Turchet, L., West, T., Wanderley, M. M. (2020). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. Personal and Ubiquitous Computing.

Demos, A. P., Layeghi, H., Wanderley, M. M., Palmer, C. (2019). Staying together: A bidirectional delay-coupled approach to joint action. Cognitive Science.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology.

Caramiaux, B., Bevilacqua, F., Wanderley, M. M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M. M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Demos, A. P., Carter, D. J., Wanderley, M. M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M. M., Huot, S., Cabral, G., Ramalho, G. (2017). A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M. M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Hollinger, A., Wanderley, M. M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M. M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Perez Carrillo, A., Wanderley, M. M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.

Maes, P., Palmer, C., Wanderley, M. M. (2015). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. Experimental Brain Research, Springer Berlin Heidelberg.

Livingstone, S. R., Thompson, W. F., Wanderley, M. M., Palmer., C. (2014). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. Quarterly Journal of Experimental Psychology, Taylor & Francis.

Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal, MIT Press.

Sinclair, S., Wanderley, M. M., Hayward, V. (2014). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. IEEE Transactions on Haptics, IEEE.

Brum Medeiros, C., Wanderley, M. M. (2014). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. Sensors Journal.

Teixeira, E. C. F., Loureiro, M. A., Wanderley, M. M., Yehia, H. C. (2014). Motion Analysis of Clarinet Performers. Journal of New Music Research, Taylor & Francis.

Koehly, R., Wanderley, M. M., van de Ven, T., Curtil, D. (2014). In-House Development of Paper Force Sensors for Musical Applications. Computer Music Journal, MIT Press.

Brum Medeiros, C., Wanderley, M. M. (2014). Multiple-model Linear Kalman Filter Framework for Unpredictable Signals. IEEE Sensors Journal.

Michael Winters, R., Wanderley, M. M. (2014). Sonification of Emotion: Strategies and Results from the Intersection with Music. Organised Sound, Cambridge University Press.

Seger, R. A., Wanderley, M. M., Koerich., A. L. (2014). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. Expert Systems with Applications, Elsevier.

Maes, P., Leman, M., Palmer, C., Wanderley., M. M. (2014). Action-based Effect on Music Perception. Frontiers in Psychology, Frontiers Media S.A..

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2013). Gestural Strategies in the Harp Performance. Acta Acustica united with Acustica, Hirzel Verlag.

Thibodeau, J., Wanderley, M. M. (2013). Trumpet Augmentation and Technological Symbiosis. Computer Music Journal, MIT Press.

Brown, R. M., Chen, J. L., Hollinger, A., Penhune, V. B. (2013). Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music. Journal of Cognitive Neuroscience, MIT Press.

Michael Winters, R., Savard, A., Verfaille, V., Wanderley, M. M. (2012). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. The International Journal of Multimedia & Its Applications (IJMA), AIRCC Publishing Corporation.

Caramiaux, B., Wanderley, M. M., Bevilacqua, F. (2012). Segmenting and Parsing Instrumentalist’s Gestures. Journal of New Music Research, Routledge.

Bouënard, A., Gibet, S., Wanderley, M. M. (2012). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. The Visual Computer Journal, Springer.

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2012). Experimental study of the musician / instrument interaction in the case of the concert harp. Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.

Bouënard, A., Wanderley, M. M., Gibet, S., Marandola, F. (2011). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal, MIT Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin., D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition, Elsevier.

Schumacher, M., Bresson, J. (2010). Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press.

Ferguson, S., Wanderley, M. M. (2010). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. Journal of Interdisciplinary Music Studies.

Bouënard, A., Wanderley, M. M., Gibet, S. (2010). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. Acta Acustica united with Acustica, S. Hirzel Verlag.

Verfaille, V., Depalle, P., Wanderley., M. M. (2010). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. Journal of the Acoustical Society of America, Acoustical Society of America.

Marshall, M. T., Hartshorn, M., Wanderley, M. M., Levitin, D. J. (2009). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, Routledge.

Nusseck, M., Wanderley, M. M. (2009). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. Music Perception: An Interdisciplinary Journal, University of California Press.

Sinclair, S., Wanderley, M. M. (2009). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers, Elsevier.

Verfaille, V., Wanderley, M. M., Depalle, P. (2008). Indirect acquisition of flutist gestures: a case study of harmonic note fingerings. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Rebillout, A., Guillemain, P., Wanderley, M. M. (2008). Refining mapping strategies to improve the sound quality of physically controlled synthesis. Journal of the Acoustical Society of America, Acoustical Society of America.

Van Nort, D. (2006). Noise/music and representation systems. Organised Sound, Cambridge University Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, Elsevier.

Verfaille, V., Wanderley, M. M. (2006). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Wanderley and Philippe Depalle, M. M. (2006). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. Journal of New Music Research, Routledge.

Wanderley, M. M., Vines, B., Middleton, N., McKay, C., Hatch, W. (2005). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .

Wanderley, M. M., Depalle, P. (2004). Gestural Control of Sound Synthesis. Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication.

Hunt, A., Wanderley, M. M., Paradis, M. (2003). The Importance of Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, Routledge.

Wanderley, M. M., Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, MIT Press.

Hunt, A., Wanderley, M. M. (2002). Mapping Performance Parameters to Synthesis Engines. Organised Sound, Cambridge University Press.

RECENT:

Boettcher, B., Malloch, J., Wang, J., Wanderley, M. M. (2022). Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. New Interfaces for Musical Expression (NIME) 2022.

Boettcher, B., Sullivan, J., Wanderley, M. M. (2022). Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. New Interfaces for Musical Expression (NIME) 2022.

Lavastre, B., Wanderley, M. M. (2021). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan.

Azevedo Costa Neto, A., Assunção de Araújo, N., Wanderley, M. M. (2021). Projeto: Cerrado: Unfolding Spaces. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Costalonga, L., Hora, D., Pimenta, M., Wanderley, M. M. (2021). The Ragpicking DMI Design: The Case for Green Computer Music. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Wanderley, M. M., West, T., Rohs, J., Meneses, E. A. L., Frisson, C. (2021). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly 2021 Conference, Trento, Italy.

Calegario, F., Tragtenberg, J., Frisson, C., Meneses, E., Malloch, J., Cusson, V., Wanderley, M. M. (2021). Documentation and Replicability in the NIME Community. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021)., Shanghai, China.

Charles Reimer, P. J., Wanderley, M. M. (2021). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Skarha, M., Cusson, V., Frisson, C., Wanderley, M. M. (2021). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Frisson, C., Bredholt, M., Malloch, J., Wanderley, M. M. (2021). MapLooper: Live-looping of distributed gesture-to-sound mappings. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Masu, R., Pultz Melbye, A., Sullivan, J., Refsum Jensenius, A. (2021). NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fraisse, V., Guastavino, C., Wanderley, M. M. (2021). A Visualization Tool to Explore Interactive Sound Installations. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Santos, G., Wang, J., Medeiros, C., Wanderley, M. M., Tavares, T., Rocha, A. (2021). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Regimbal, J., Wanderley, M. M. (2021). Interpolating Audio and Haptic Control Spaces. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

West, T., Caramiaux, B., Huot, S., Wanderley, M. M. (2021). Making Mappings: Design Criteria for Live Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fukuda, T., Meneses, E., West, T. J., Wanderley, M. M. (2021). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

2020

Frisson, C., Decaudin, J., Sanz-Lopez, M., Pietrzak, T. (2020). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M. M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

West, T., Caramiaux, B., Wanderley, M. M. (2020). Making Mappings: Examining the Design Process. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M. M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Wang, J., Meneses, E., Wanderley, M. M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, U.K..

Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M. M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Verdugo, F., Kokubu, S., Wang, J., Wanderley, M. M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Kirkegaard, M., Bredholt, M., Marcelo Wanderley, a. M. (2020). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Meneses, E. A. L., Fukuda, T., Wanderley, M. M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E. A. L., Wanderley, M. M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M. M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Wanderley, M. M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

2019

Sullivan, J., Wanderley, M. M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Marcelo Wanderley, a. M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France.

Tom, A., Venkatesan, H., Franco, I., Wanderley, M. M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Meneses, E., Wang, J., Freire, S., Wanderley, M. M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Wang, J., Mulder, A., Wanderley, M. M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. Proceedings of the 2019 International Workshop of Haptic and Audio Interaction Design (HAID 2019), Lille, France.

Yaremchuk, V., Medeiros, C. B., Wanderley, M. M. (2019). Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Wang, S., Wanderley, M. M., Scavone, G. (2019). The Study of Mapping Strategies Between Excitators of the Single-Reed Woodwind and the Bowed String. Proceedings of the 7th Conference on Sound and Music Technology (CSMT), China.

2018

Barbosa, J., Wanderley, M. M., Huot, S. (2018). ZenStates: Easy-to-Understand yet Expressive Specifications for Creative Interactive Environments. Proceedings of IEEE Symposium on Visual Languages and Human-Centric Computing, Lisbon, Portugal.

Sullivan, J., Wanderley, M. M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M. M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing (MOCO'18), Genoa, Italy.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Cowden, P., Dosiek, L. (2018). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Meneses, E. A. L., Freire, S., Wanderley, M. M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Nieva, A., Wang, J., Malloch, J., Wanderley, M. M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Egloff, D., Wanderley, M. M., Frissen, I. (2018). Haptic Display of Melodic Intervals for Musical Applications. Proceedings of the 2018 IEEE Haptics Symposium, San Francisco, CA, USA.

Morreale, F., McPherson, A. P., Wanderley, M. M. (2018). NIME Identity from the Performer’s Perspective. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Malloch, J., Marlon Schumacher, M., Sinclair, S., Wanderley, M. M. (2018). The Digital Orchestra Toolbox for MAX. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

2017

Goncalves Duarte, E., Fernandes Tavares, T. (2017). A tool for the musical education of Deaf people. .

Meneses, E. A. L., Wanderley, M. M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Ignoto, P., Hattwick, I., Wanderley, M. M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M. M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M. M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Palmer and Marcelo Wanderley, C. M. (2017). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

Hattwick, i., Wanderley, M. M. (2017). Design of Hardware Systems for Professional Artistic Applications. Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017), Copenhagen, Denmark.

Barbosa, J., Wanderley, M. M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017), Copenhagen, Denmark.

Hattwick, I., Franco, I., Wanderley, M. M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. Proc. of the International Conference on Human-Computer Interaction (HCII), Vancouver, BC, Canada.

2016

Bhagwati, S., Wanderley, M. M., Sullivan, J., Giordano, M. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Franco, I., Wanderley, M. M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

2015

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M. M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, T., Salter and Marcelo Wanderley, C. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Barbosa, J., Calegario, F., Tragtenberg, J., Cabral, G., Ramalho, G., Wanderley, M. M. (2015). Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Perez Carrillo, A., Arcos, J., Wanderley, M. M. (2015). Estimation of Guitar Fingering and Plucking Controls based on Multimodal Analysis of Motion, Audio and Musical Score. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR).

Tits, M., Tilmanne, J., D’Alessandro, N., Wanderley, M. M. (2015). Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures. Proceedings of the International Computer Music Conference (ICMC), Denton, TX, USA.

Hattwick, I., Wanderley, M. M. (2015). Interactive Lighting in the Pearl: Considerations and Implementation. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Franco, I., Wanderley, M. M. (2015). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME2015), Baton Rouge, LA, USA.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M. M. (2015). What does ‘Evaluation’ mean for the NIME community?. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

2014 and older

Hattwick, I., Malloch, J., Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Hattwick, I., Beebe, P., Hale, Z., Wanderley, M. M., Leroux, P., Marandola, F. (2014). Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Kell, T., Wanderley, M. M. (2014). A High-Level Review of Mappings in Musical iOS Applications. Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC), Athens, Greece.

Yaremchuk, V., Wanderley, M. M. (2014). Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. Proceedings of 1st International Conference on Movement Computing (MOCO'14), Paris, France.

Rosa Mamedes, C., Rodrigues, M. G., Wanderley, M. M., Manzolli, J., Garcia, D. H. L., Ferreira Lopes, P. (2014). Composing for DMIs – Entoa, music for Intonaspacio. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Bacon, B., Wanderley, M. M., Marandola, F. (2014). Handedness in Percussion Sight-Reading. Proceedings of 1st International Conference on Movement Computing (MOCO'14), Paris, France.

Rodrigues, M. G., Wanderley, M. M., Lopes, P. F. (2014). Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers.

Bernays, M., Depalle, P., Wanderley, M. M. (2014). Perception and Identification of Piano timbre Nuances in Digital Performance Simulation vs. Audio Recordings. Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM'14), Berlin, Germany.

Frid, E., Giordano, M., Schumacher, M., Wanderley, M. M. (2014). Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC), Athens, Greece.

Lourenço, S., Gustavo Martins, L., Tits, M., Wanderley, M. M., Megre, R. (2014). Towards a multimodal analysis of European Piano Schools of Music Performance. Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM'14), Berlin, Germany.

Knutzen, H., Kvifte, T., Wanderley, M. M. (2014). Vibrotactile Feedback for an Open Air Music Controller. 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers.

Kell, T., Wanderley, M. M. (2013). A Quantitative Review of Mappings in Musical iOS Applications. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Schiavoni, F. L., Queiroz, M., Wanderley, M. M. (2013). Alternatives in Network Transport Protocols for Audio Streaming Applications. Proceedings of the 2013 International Computer Music Conference (ICMC), Perth, Australia.

Ghamsari, M., Pras, A., Wanderley, M. M. (2013). Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Michael Winters, R., Hattwick, I., Wanderley, M. M. (2013). Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer. Proceedings of the 3rd International Conference on Music & Emotion (ICME 2013), Jyväskylä, Finland.

Dalca, I., Vines, B. W., Pearce, M. T., Wanderley, M. M. (2013). Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Cabrol, F., McGuffin, M. J., Schumacher, M., Wanderley, M. M. (2013). GenSession: a Flexible Zoomable User Interface for Melody Generation. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Giordano, M., Wanderley, M. M. (2013). Measuring the Haptic Behavior of an Acoustic Guitar by Means of a Vibrating Actuator. Proceedings of the 2013 International Congress on Acoustics (ICA 2013), Montreal, Qc, Canada.

Teixeira, E., Loureiro, M., Yehia, H., Wanderley, M. M. (2013). Motion Recurrence Analysis in Music Performances. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Hollinger, A., Wanderley, M. M. (2013). MRI-Compatible Optically-Sensed Cello. IEEE Sensors Conference.

Schiavoni, F. L., Queiroz, M., Wanderley, M. M. (2013). Network Music with Medusa: A comparison of tempo alignment in existing MIDI APIs. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Giordano, M., Wanderley, M. M. (2013). Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. Proceedings of the 2013 Haptics-Audio Interaction Design Workshop (HAID2013), Daejeon, Korea.

Michael Winters, R., Wanderley, M. M. (2013). Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence. Proceedings of the 3rd International Conference on Music & Emotion (ICME 2013), Jyväskylä, Finland.

Burlet, G., Wanderley, M. M., Fujinaga, I. (2013). Stompboxes: Kicking the Habit. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression (NIME 2013), Daejeon, Korea.

Rosa Mamedes, C., Wanderley, M. M., Manzolli, J., Lopes Garcia, D. (2013). Strategies for mapping control in interactive audiovisual installations. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Bacon, B., Wanderley, M. M. (2013). The Effects of Handedness in Percussion Performative Gesture. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Schumacher, M., Giordano, M., Wanderley and Sean Ferguson, M. M. (2013). Vibrotactile Notifications for Live Electronics Performance: A Prototype System. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Rosa Mamedes, C., Fornari, J., Manzolli, J., Hortência Lopes Garcia, D. (2012). Abstrações: apontamentos sobre o comportamento de visitantes. Encontro Internacional de Música e Arte Sonora, Juiz de Fora, Brasil.

Rosa Mamedes, C., Manzolli, J., Hortência Lopes Garcia, D., Fornari, J. (2012). Cerejeira: delimitadores ambientais para controle de diversidade utilizando algoritmos genéticos interativos. XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), João Pessoa, Brasil.

Michael Winters, R., Wanderley, M. M. (2012). New Directions for the Sonification of Expressive Movement in Music Performance. International Conference on Auditory Display, Atlanta, Georgia, USA.

Hattwick, I., Wanderley, M. M. (2012). A Dimension Space for Evaluating Collaborative Musical Performance Systems. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Vigliensoni, G., Wanderley, M. M. (2012). A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Giordano, M., Sinclair, S., Wanderley, M. M. (2012). Bowing a Vibration-enhanced Force Feedback Device. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Chadefaux, D., Wanderley, M. M., Le Carrou, J., Fabre, B., Daudet, L. (2012). Experimental Study of the Musician/Instrument Interaction in the Case of the Concert Harp. Proceedings of Acoustics 2012, Nantes, France.

Tache, O., Sinclair, S., Wanderley, M. M. (2012). Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Simulations. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Perez Carrillo, A., Wanderley, M. M. (2012). Learning and Extraction of Violin Instrumental Controls from Audio Signal. Proceedings of the MIRUM Workshop, ACM Multimedia Conference, Nara, Japan.

Hollinger, A., Wanderley, M. M. (2012). Optoelectronic Acquisition and Control Board for Musical Applications. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Germain, F., Abel, J., Depalle, P., Wanderley, M. M. (2012). Uniform Noise Sequences for Nonlinear System Identification. Proceedings of the 2012 International Conference on Digital Audio Effects (DAFx2012), York, UK.

Rosa Mamedes, C., Hortência Lopes Garcia, D., Fornari, J., Manzolli, J. (2011). Abstrações: an audiovisual installation based on motion recognizing. 4th International Congress on Image and Signal Processing CISP 2011 / IEEE, Shanghai, China.

Brum Medeiros, C., Wanderley, M. M. (2011). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011).

Giordano, M., Wanderley, M. M. (2011). A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation. Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011), Padova, Italy.

Marshall, M. T., Wanderley, M. M. (2011). Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME 2011), Oslo, Norway.

Sinclair, S., Wanderley, M. M., Hayward, V., Scavone, G. (2011). Noise-free Haptic Interaction with a Bowed-string Acoustic Model. Proceedings of the IEEE World Haptics Conference, Istanbul, Turkey.

Hollinger, A., Thibodeau, J., Wanderley, M. M. (2010). An Embedded Hardware Platform for Fungible Interfaces. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Grond, F., Hermann, T., Verfaille, V., Wanderley, M. M. (2010). Methods for the Effective Sonification of of Clarinetists’ Ancillary Gestures. Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers. LNAI 5934.

Bianco, T., Wanderley, M. M., Bevilacqua, F. (2010). Mimicry of Tone Production: Results from a pilot experiment. Proceedings of the 2010 Sound and Music Computing Conference (SMC2010), Barcelona, Spain.

Baalman, M. A. J., de Belleval, V., Malloch, J., Thibodeau, J., Salter, C. L., Wanderley, M. M. (2010). SENSE/STAGE – Low Cost, Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real-time Environments. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Grond, F., Bouënard, A., Hermann, T., Wanderley, M. M. (2010). Virtual Auditory Myography of Timpani-playing Avatars. Proceedings of the 2010 International Conference on Digital Audio Effects (DAFx2010), Graz, Austria.

Souza, F. F., Maia Jr., A., Wanderley, M. M. (2010). An Input Device to Control Granular Sound Processes. Proceedings of the 8th Congresso de Engenharia de Áudio/14a Convenção Nacional da AES Brasil, São Paulo, SP, Brazil.

Schumacher, M., Bresson, J. (2010). Compositional Control of Periphonic Sound Spatialization. Paris, France.

Bresson, J., Agnon, C., Schumacher, M. (2010). Représentation des donneés de contrôle pour la spatialiasation dans OpenMusic. Rennes, France.

Rocha and Joseph Malloch, F. (2009). The Hyper-Kalimba: Developing and Augmented Instrument from a Performer’s Perspective. Proceedings of the Sound and Music Computing Conference (SMC).

Sinclair, S., Florens, J., Wanderley, M. M. (2009). A Haptic Simulator for Gestural Interaction with the Bowed String. Proceedings of the 10ème Congrès Français d’Acoustique, Lyon, France.

Bouënard, A., Wanderley, M. M., Gibet, S. (2009). Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Sinclair, S., Scavone, G., Wanderley, M. M. (2009). Audio-Haptic Interaction with the Digital Waveguide Bowed String. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Collicutt, M., Casciato, C., Wanderley, M. M. (2009). From Real to Virtual: A Comparison of Input Devices for Percussion Tasks. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Marshall, M. T., Malloch, J., Wanderley, M. M. (2009). Gestural Control of Sound Spatialization for Live Musical Performance. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS series Vol. 5085.

Bouënard, A., Gibet, S., Wanderley, M. M. (2009). Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures. Proceedings of the International Conference on Computer Animation and Social Agents (CASA'09), Amsterdam, The Netherlands.

Mazzarino, B., Peinado, M., Boulic, R., Volpe, G., Wanderley, M. M. (2009). Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085.

Lähdeoja, O., Wanderley, M. M., Malloch, J. (2009). Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects. Proceedings of the 2006 Sound and Music Computing Conference (SMC2006),, Porto, Portugal.

Hockman, J. A., Wanderley, M. M., Fujinaga, I. (2009). Real-time Phase Vocoder Manipulation by Runner’s Pace. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Baalman, M. A. J., Smoak, H. C., Salter, C. L., Malloch, J., Wanderley, M. M. (2009). Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Rasamimanana, N. H., Bernardin, D., Wanderley, M. M., Bevilacqua, F. (2009). String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS series Vol. 5085.

Pestova, X., Donald, E., Hindman, H., Malloch, J., Marshall, M. T., Rocha, F., Sinclair, S., Andrew Stewart, D., Wanderley, M. M., Ferguson, S. (2009). The CIRMMT/McGill Digital Orchestra Project. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Zadel, M., Sinclair, S., Wanderley, M. M. (2009). Haptic Feedback for Different Strokes Using DIMPLE. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Zadel, M., Scavone, G. (2008). Recent Developments in the Different Strokes Environment. Proceedings of the 2008 International Computer Music Conference (ICMC).

Malloch, J., Sinclair, S., Wanderley, M. M. (2008). A network-based framework for collaborative development and performance of digital musical instruments. CMMR 2007, - Proceedings of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969, Berlin, Germany.

Bouënard, A., Wanderley, M. M., Gibet, S. (2008). Analysis of Percussion Grip for Physically Based Character Animation. Proceedings of the 5th International Conference on Enactive Interfaces (ENACTIVE 2008), Pisa, Italy.

Bouënard, A., Gibet, S., Wanderley, M. M. (2008). Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. Genova, Italy.

Marentakis, G., Malloch, J., Peters, N., Marshall, M., Wanderley, M., McAdams, S. (2008). Influence of Performance Gestures on the Identification of Spatial Sound Trajectories in a Concert Hall. Proceedings of the 2008 International Conference on Auditory Display (ICAD 2008), Paris, France.

Schoonderwaldt, E., Wanderley., M. M. (2007). Visualization of Bowing Gestures for Feedback: The Hodgson Plot. Proceedings of the I-Maestro Workshop 2007, Barcelona, Spain.

Sinclair, S., Wanderley, M. M. (2007). Extending DIMPLE: a rigid body haptic simulator for interactive control of sound. Proceedings of the International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Malloch, J., Sinclair, S., Wanderley, M. M. (2007). From controller to sound: Tools for collaborative development of digital musical instruments. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Malloch, J., Wanderley, M. M. (2007). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Birnbaum, D. M., Wanderley, M. M. (2007). A Systematic Approach to Musical Vibrotactile Feedback. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Koehly, R., Curtil, D., van de Ven, T., Wanderley, M. M. (2007). Carbon Black Loaded Paper: An Intelligent Substrate for Electronic Sensors Design. Proceedings of the IARIGAI 2007 Conference, Grenoble, France.

Van Nort, D., Gauthier, D., Xin Wei, S., Wanderley, M. M. (2007). Extraction of Gestural Meaning from a Fabric-Based Instrument. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Hollinger, A., Penhune, V., Zatorre, R., Steele, C., Wanderley, M. M. (2007). fMRI-Compatible Electronic Controllers. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Kereliuk, C., Scherrer, B., Verfaille, V., Depalle, P., Wanderley, M. M. (2007). Indirect Acquisition of Fingerings of Harmonic Notes on the Flute. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Casciato, C., Wanderley, M. M. (2007). Lessons from Long Term Gestural Controller Users. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Birnbaum, D., Abtan, F., Xin Wei, S., Wanderley, M. M. (2007). Mapping and Dimensionality of a Cloth-based Sound Instrument. Proceedings of the 2007 Sound and Music Computing Conference (SMC2007), Lefkada, Greece.

Marshall, M. T., Malloch, J., Wanderley, M. M. (2007). Non-Conscious Control of Sound Spatialization. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE2007), Grenoble, France.

Nusseck, M., Wanderley, M. M., Schoonderwaldt, E. (2007). Validating Kinematic Displays for the Perception of Musical Performance. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Schoonderwaldt, E., Sinclair, S., Wanderley, M. M. (2007). Why Do We Need 5-DOF Force Feedback? The case of Violin Bowing. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Sinclair, S., Wanderley, M. M. (2007). Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Sinclair, S., Wanderley, M. M. (2007). Using PureData to control a haptically-enabled virtual environment. Proceedings of the PureData Convention '07, Montreal, Qc, Canada.

Van Nort, D., Depalle, P. (2006). A Stochastic State-Space Phase Vocoder for Synthesis of Roughness. Proc. of the Int. Conf. on Digital Audio Effects (DAFx2006), Montreal, Quebec, Canada.

Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. Proc. of the 2006 Sound and Music Computing Conference (SMC2006), Marseille, France.

Verfaille, V., Quek, O., Wanderley, M. M. (2006). Sonification of Musician’s Ancillary Gestures. Proceedings of the 2006 International Conference on Auditory Display (ICAD2006), London, England.

Kvifte, T., Refsum Jensenius, A. (2006). Towards a Coherent Terminology and Model of Instrument Description and Design. Proceedings of the International Conference on New Interfaces for Musical Expression.

Jensenius, A. R., Kvifte, T., Inge Godøy, R. (2006). Towards a Gesture Description Interchange Format. Proceedings of the International Conference on New Interfaces for Musical Expression, Paris: IRCAM - Centre Pompidou.

Malloch, J., Birnbaum, D., Sinyor, E., Wanderley, M. M. (2006). A New Conceptual Framework for Digital Musical Instruments. Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Qc, Canada.

Jensenius, A. R., Koehly, R., Wanderley, M. M. (2006). Building Low-Cost Music Controllers. CMMR 2005 - Proceedings of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902.

Burns and Marcelo Wanderley, A. M. (2006). Computer Vision Method for Guitarist Fingering Retrieval. Proceedings of the 2006 Sound and Music Computing Conference (SMC2006), Marseille, France.

Zadel, M., Scavone, G. (2006). Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Marshall, M., Wanderley, M. M. (2006). Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR 2005 - Proceedings of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902.

Marshall, M. T., Peters, N., Jensenius, A. R., Boissinot, J., Wanderley, M. M., Braasch, J. (2006). On the Development of a System for Gesture Control of Spatialization. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, LA, USA.

Koehly, R., Wanderley, M. M., Curtil, D. (2006). Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Wanderley, M. M., Malloch, J., Birnbaum, D., Sinyor, E., Boissinot, J. (2006). SensorWiki.org: A Collaborative Resource on Transducers for Researchers and Interface Designers. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Verfaille, V., Boissinot, J., Depalle, P., Wanderley, M. M. (2006). Ssynth: A Real Time Additive Synthesizer with Flexible Control. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, LA, USA.

Scavone, G., Wanderley, M. M. (2006). The Music Technology Program at McGill University. Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, FL, USA.

Marshall, M. T., Wanderley, M. M. (2006). Vibrotactile Feedback in Digital Musical Instruments. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Burns, A., Wanderley, M. M. (2006). Visual Methods for the Retrieval of Guitarist Fingering. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, USA.

Jensenius, A. R., Inge Godoy, R., Wanderley, M. M. (2005). Developing Tools for Studying Musical Gestures within the MAX/MSP/JITTER Environment. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin, D. J. (2005). Dimensions of Emotion in Expressive Musical Performance. Annals of the New York Academy of Sciences.

Kolesnik, P., Wanderley, M. M. (2005). Implementation of the Discrete Hidden Markov Model in Max / MSP Environment. Proceedings of the FLAIRS 2005 Conference, Miami, FL, USA.

da Silva, A., Wanderley, M. M., Scavone, G. (2005). On the Use of Flute Air Jet as a Musical Control Variable. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, BC, Canada.

Birnbaum, D., Fiebrink, R., Malloch, J., Wanderley, M. M. (2005). Towards a Dimension Space for Musical Artifacts. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, BC, Canada.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Vancouver, Canada.

Sinyor, E., Wanderley, M. M. (2005). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, Canada.

Van Nort, D., Wanderley, M. M., Depalle, P. (2004). On the Choice of Mappings based on Geometrical Properties. Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME 2004), Hamamatsu, Japan.

Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Gesture-Based Communication in Human-Computer Interaction. GW 2003. Lecture Notes in Computer Science, vol 2915.

Kolesnik, P., Wanderley, M. M. (2004). Recognition, Analysis and Performance with Expressive Conducting Gestures. Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, FL, USA.

Peinado, M., Herbelin, B., Wanderley, M., Le Callennec, B., Boulic, R., Thalmann, D. (2004). Towards Configurable Motion Capture with Prioritized Inverse Kinematics. Proceedings of the Third International Workshop on Virtual Rehabilitation (IWVR2004), Lausanne, Switzerland.

Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Genova, Italy.

Traube, C., Depalle, P., Wanderley, M. M. (2003). Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. Proceedings of the 2003 International Conference on New Interfaces for Musical Expression (NIME 2003), Montreal, Qc, Canada.

Wanderley, M. M. (2002). Quantitative Analysis of Non-Obvious Performer Gestures. Gesture and Sign Language in Human-Computer Interaction - Proceedings of Gesture Workshop 2001, London, UK.

Hunt, A., Wanderley, M. M., Paradis, M. (2002). The Importance of Parameter Mapping in Electronic Instrument Design. Proceedings of the 2002 International Conference on New Interfaces for Musical Expression (NIME 2002), Dublin, Ireland.

Wanderley, M. M., Depalle, P. (2001). Gesturally-Controlled Digital Audio Effects. Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx2001), Limerick, Ireland.

Wanderley, M. M., Depalle, P., Warusfel, O. (1999). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. Proceedings of the international Computer Music Conference.

Doctoral Dissertations

Meneses, E. A. L. (2022). Iterative Design in DMIs and AMIs: Expanding and embedding a high-level gesture vocabulary for the T-Stick and GuitarAMI. Ph.D. Thesis, McGill University, Montreal, Qc, Canada.

Wang, J. (2022). Analysis of Wireless Interface Latency and Usability for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Qc, Canada.

Sullivan, J. (2021). Built to Perform: Designing Digital Musical Instruments for Professional Use. Ph.D. Thesis, McGill University, Montreal, Canada.

Massie-Laberge, C. (2019). Kinematic, Kinetic and Perceptual Analyses of Piano Performances. Ph.D. Thesis, McGill University, Montreal, Canada.

Franco, I. (2019). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Hattwick, I. (2017). The Creation of Hardware Systems for Professional Artistic Productions. Ph.D. Thesis, McGill University, McGill University, Canada.

Fernandes Santos, T. (2017). The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance. D.Mus Thesis, Universidade Federal de Minas Gerais, Belo Horizonte, Brazil.

Schumacher, M. (2016). A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. Ph.D. Thesis, McGill University, Montreal, Canada.

Giordano, M. (2016). Vibrotactile Feedback and Stimulation in Music Performance. Ph.D. Thesis, McGill University, Montreal, Canada.

Brum Medeiros, C. (2015). Advanced Instrumentation and Sensor Fusion Methods in Input Devices for Musical Expression. Ph.D. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2014). Optical Sensing, Embedded Systems, and Musical Interfaces for Functional Neuroimaging. Ph.D. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2013). A Framework and Tools for Mapping of Digital Musical Instruments. Ph.D. thesis, Music Technology, Montreal, Canada.

Sinclair, S. (2012). Velocity-driven Audio-Haptic Interaction With Real-Time Digital Acoustic Models. Ph.D. Thesis, McGill University, Montreal, Canada.

Zadel, M. (2012). Graphical Performance Software in Contexts: Explorations with Different Strokes. Ph.D. Thesis, McGill University, Montreal, Canada.

Palacio-Quintin, C. (2012). Composition d’œuvres pour hyper-flûtes et traitement audionumérique interactif. D.Mus. Thesis, Université de Montréal, Montreal, Canada.

Koehly, R. (2011). Fabrication of Sustainable Resistive-Based Paper Touch Sensors: Application to Music Technology. Ph.D. Thesis, McGill University, Montreal, Canada.

Van Nort, D. (2010). Modular and Adaptive Control of Sound Processing. Ph.D. Thesis, McGill University, Montreal, Canada.

Bouënard, A. (2009). Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis. Ph.D. Thesis, Université de Bretagne Sud, Bretagne, France.

Marshall, M. T. (2008). Physical Interface Design for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Canada.

Master’s Theses

Kirkegaard, M. (2021). Integrating 1-DoF Force Feedback Interactions In Self-Contained DMIs. M.A. Thesis, McGill University, Montreal, Canada.

Bredholt, M. (2021). Live-looping of Distributed Gesture-to-sound Mappings. M.A. Thesis, McGill University, Montreal, Canada.

West, T. (2020). Making Mappings: Examining the Design Process with Libmapper and the T-Stick. M.A. Thesis, McGill University, Montreal, Canada.

Tirumala Bukkapatnam, A. (2019). A Pre-Characterized Toolkit for Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Marci, I. (2018). Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Nieva, A. (2018). Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression. M.A. Thesis, McGill University, Montreal, Canada.

Ignoto, P. (2018). Development and implementation of a vibrotactile click track to assist contemporary music conducting. M.A. Thesis, McGill University, Montreal, Canada.

Vogels, J. (2014). Harmonica-inspired digital musical instrument design based on an existing gestural performance repertoire. M.A. Thesis, McGill University, Montreal, Canada.

Bacon, B. (2014). The Effects of Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Kell, T. (2014). Musical Mapping of Two-Dimensional Touch-Based Control Layouts. M.A. Thesis, McGill University, Montreal, Canada.

Ghamsari-Esfahani, M. (2013). An Evaluation of the role of Mapping in Skill Acquisition on Digital Musical Instruments. M.A. Thesis, McGill University, Montreal, Canada.

Krajeski, A. (2013). A Flexible Tool for the Visualization of Musical Mapping Networks. M.A. thesis, McGill University, Montreal, Canada.

Wilansky, J. (2013). A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments. M.A. thesis, McGill University.

Michael Winters IV, R. (2013). Exploring Music through Sound: Sonification of Emotion, Gesture, and Corpora. M.A. Thesis,. McGill University, Montreal, Canada.

Angeles, B. (2012). Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio. M.A. Thesis, McGill University, Montreal, Canada.

Rudraraju, V. (2011). A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks. M.A. thesis, McGill University, Montreal, Canada.

Germain, F. G. (2011). A Nonlinear Analysis Framework for Electronic Synthesizer Circuits. M.A. Thesis, McGill University, Montreal, Canada.

Vigliensoni, G. (2011). Touchless Gestural Control of Concatenative Sound Synthesis. M.A. Thesis, McGill University, Montreal, Canada.

Thibodeau, J. (2011). Trumpet Augmentation: Rebirth and Symbiosis of an Acoustic Instrument. M.A. Thesis, McGill University, Montreal, Canada.

Savard, A. (2009). When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians’ Ancillary Gestures. M.A. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2008). Design of fMRI-compatible electronic musical interfaces. M.A. Thesis, McGill University, Montreal, Canada.

Birnbaum, D. (2007). Musical Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Zaborowski, P. (2007). A Novel Input Device For Thumb Control. M.A. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. M.A. thesis, McGill University, Montreal, Canada.

Sinclair, S. (2007). Force-Feedback Hand Controllers for Musical Interaction. M.A. Thesis, McGill University, Montreal, Canada.

Burns, A. (2007). Computer Vision Methods for Guitarist Left-Hand Fingering Recognition. M.A. Thesis, McGill University, Montreal, Canada.

Sinyor, E. (2006). Digital Musical Instruments: A Design Approach Based on Moving Mechanical Systems. M.A. Thesis, McGill University, Montreal, Canada.

Kolesnik, P. (2004). Conducting Gesture Recognition, Analysis and Performance System. M.A. Thesis, McGill University, Montreal, Canada.

Technical Reports:

Bouënard, A., Gibet, S., Wanderley, M. M. (2009). Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis. .

Bouënard, A., Wanderley, M. ., Gibet, S. (2009). Analysis of Timpani Preparatory Gesture Parameterization. International Gesture Workshop.

Burns, A., Mazzarino, B. (2005). Finger Tracking Methods Using EyesWeb. .

Campbell, L., Chagnon, M., Wanderley, M. M. (2005). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.

Campbell, L. (2005). The Observation of Movement. Report MUMT-609 Seminar. Input Devices and Music Interaction Laboratory (PDF document, 432 kbytes) Copyright: McGill University.

Verron, C. (2005). Traitement et visualisation de données gestuelles captées par Optotrak. Input Devices and Music Interaction Laboratory (PDF document, 1.9 Mbytes) Copyright: McGill University.

Zadel, M., Kosek, P. C., Wanderley, M. M. (2004). An Inertial, Pliable Interface. An Inertial, Pliable Interface.

Wanderley, M. M., Middleton, N., McKay, C., Hatch, W., Vines, B. W. (2004). Expressive Movements of Clarinetists: Quantification and Musical Considerations. (PDF document, 1.6 Mbytes) Copyright: McGill University.

Depalle, P., Tassart, S., Wanderley, M. M. (1997). Instruments Virtuels. Résonances, Paris, France.