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PUBLICATIONS

 

Books, chapters, articles, conference papers and theses

 

 

 

Books:

 

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). (2019). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Wanderley, M. M., Malloch, J. (Eds.). (2014). Advances in the Design of Mapping for Computer Music. .

Miranda, E. R., Wanderley, M. M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc..

Wanderley, M. M., Battier, M. (Eds.). (2000). Trends in Gestural Control of Music. .


Book Sections:

Malloch, J., Garcia, J., Wanderley, M. M., Mackay, W. E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Giordano, M., Sullivan, J., Wanderley, M. M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Papetti, S., Saitis, C. (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Franco, I., Wanderley, M. M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Malloch, J., Wanderley, M. M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In Lesaffre, M., Leman, M., Maes, P. (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).

Wanderley, M. M. (2017). Expert Commentary: Perry Cook’s Principles Still Going Strong. In Refsum Jensenius, A., Lyons, M. J. (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13).

Wanderley, M. M., Vines, B. (2005). Ancillary Gestures of Clarinettists. In Gritten, A., King, E. (Eds.), New Perspectives on Theory and Contemporary Practice.

Wanderley, M. M. (2002). Quantitative Analysis of Non-obvious Performer Gestures. In Wachsmuth and Sowa, I. T. (Eds.), Gesture and Sign Language in Human-Computer Interaction (pp. 241-253).

Cadoz, C., Wanderley, M. M. (2000). Gesture-Music. In Wanderley and Battier, M. M. M. (Eds.), Trends in Gestural Control of Music.

Wanderley, M. M. (1999). Non-Obvious Performer Gestures in Instrumental Music. In Braffort, A., Gherbi, R., Gibet, S., Richardson, J., Teil, D. (Eds.), Gesture-Based Communication in Human-Computer Interaction (pp. 37-48).


Journal Papers:

Verdugo, F., Begon, M., Gibet, S., Wanderley, M. M. (2021). Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes. Journal of Motor Behavior.

Costalonga, L., Pimenta, M., Wanderley, M. M. (2021). Can Ubimus Technologies Affect our Musicality?. PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.

Pras, A., Rodrigues, M. G., Grupp, V., Wanderley, M. M. (2021). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. Front. Psychol..

Fraisse, V., Wanderley, M. M., Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact., Basel, Switzerland.

Freire, S., Santos, G., Armondes, A., Meneses, E. A. L., Wanderley, M. M. (2020). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors.

Pietrzak, T., Wanderley, M. M. (2020). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Turchet, L., West, T., Wanderley, M. M. (2020). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. Personal and Ubiquitous Computing.

Demos, A. P., Layeghi, H., Wanderley, M. M., Palmer, C. (2019). Staying together: A bidirectional delay-coupled approach to joint action. Cognitive Science.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology, Montreal, Canada.

Caramiaux, B., Bevilacqua, F., Wanderley, M. M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M. M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Demos, A. P., Carter, D. J., Wanderley, M. M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M. M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M. M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Hollinger, A., Wanderley, M. M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M. M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Perez Carrillo, A., Wanderley, M. M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.

Maes, P., Palmer, C., Wanderley, M. M. (2015). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. Experimental Brain Research, Springer Berlin Heidelberg.

Livingstone, S. R., Thompson, W. F., Wanderley, M. M., Palmer., C. (2014). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. Quarterly Journal of Experimental Psychology, Taylor & Francis.

Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal, MIT Press.

Sinclair, S., Wanderley, M. M., Hayward, V. (2014). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. IEEE Transactions on Haptics, IEEE.

Brum Medeiros, C., Wanderley, M. M. (2014). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. Sensors Journal.

Teixeira, E. C. F., Loureiro, M. A., Wanderley, M. M., Yehia, H. C. (2014). Motion Analysis of Clarinet Performers. Journal of New Music Research, Taylor & Francis.

Koehly, R., Wanderley, M. M., van de Ven, T., Curtil, D. (2014). In-House Development of Paper Force Sensors for Musical Applications. Computer Music Journal, MIT Press.

Brum Medeiros, C., Wanderley, M. M. (2014). Multiple-model Linear Kalman Filter Framework for Unpredictable Signals. IEEE Sensors Journal.

Michael Winters, R., Wanderley, M. M. (2014). Sonification of Emotion: Strategies and Results from the Intersection with Music. Organised Sound, Cambridge University Press.

Seger, R. A., Wanderley, M. M., Koerich., A. L. (2014). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. Expert Systems with Applications, Elsevier.

Maes, P., Leman, M., Palmer, C., Wanderley., M. M. (2014). Action-based Effect on Music Perception. Frontiers in Psychology, Frontiers Media S.A..

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2013). Gestural Strategies in the Harp Performance. Acta Acustica united with Acustica, Hirzel Verlag.

Thibodeau, J., Wanderley, M. M. (2013). Trumpet Augmentation and Technological Symbiosis. Computer Music Journal, MIT Press.

Brown, R. M., Chen, J. L., Hollinger, A., Penhune, V. B. (2013). Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music. Journal of Cognitive Neuroscience, MIT Press.

Michael Winters, R., Savard, A., Verfaille, V., Wanderley, M. M. (2012). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. The International Journal of Multimedia & Its Applications (IJMA), AIRCC Publishing Corporation.

Caramiaux, B., Wanderley, M. M., Bevilacqua, F. (2012). Segmenting and Parsing Instrumentalist’s Gestures. Journal of New Music Research, Routledge.

Bouënard, A., Gibet, S., Wanderley, M. M. (2012). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. The Visual Computer Journal, Springer.

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2012). Experimental study of the musician / instrument interaction in the case of the concert harp. Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.

Bouënard, A., Wanderley, M. M., Gibet, S., Marandola, F. (2011). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal, MIT Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin., D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition, Elsevier.

Schumacher, M., Bresson, J. (2010). Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press.

Ferguson, S., Wanderley, M. M. (2010). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. Journal of Interdisciplinary Music Studies.

Bouënard, A., Wanderley, M. M., Gibet, S. (2010). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. Acta Acustica united with Acustica, S. Hirzel Verlag.

Verfaille, V., Depalle, P., Wanderley., M. M. (2010). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. Journal of the Acoustical Society of America, Acoustical Society of America.

Marshall, M. T., Hartshorn, M., Wanderley, M. M., Levitin, D. J. (2009). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, Routledge.

Nusseck, M., Wanderley, M. M. (2009). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. Music Perception: An Interdisciplinary Journal, University of California Press.

Sinclair, S., Wanderley, M. M. (2009). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers, Elsevier.

Verfaille, V., Wanderley, M. M., Depalle, P. (2008). Indirect acquisition of flutist gestures: a case study of harmonic note fingerings. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Rebillout, A., Guillemain, P., Wanderley, M. M. (2008). Refining mapping strategies to improve the sound quality of physically controlled synthesis. Journal of the Acoustical Society of America, Acoustical Society of America.

Van Nort, D. (2006). Noise/music and representation systems. Organised Sound, Cambridge University Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, Elsevier.

Verfaille, V., Wanderley, M. M. (2006). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Wanderley and Philippe Depalle, M. M. (2006). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. Journal of New Music Research, Routledge.

Wanderley, M. M., Vines, B., Middleton, N., McKay, C., Hatch, W. (2005). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .

Wanderley, M. M., Depalle, P. (2004). Gestural Control of Sound Synthesis. Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication.

Hunt, A., Wanderley, M. M., Paradis, M. (2003). The Importance of Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, Routledge.

Wanderley, M. M., Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, MIT Press.

Hunt, A., Wanderley, M. M. (2002). Mapping Performance Parameters to Synthesis Engines. Organised Sound, Cambridge University Press.


Conference Papers:

 

MOST RECENT:

Lavastre, B., Wanderley, M. M. (2021). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. 15th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan.

Azevedo Costa Neto, A., Assunção de Araújo, N., Wanderley, M. M. (2021). Projeto: Cerrado: Unfolding Spaces. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Costalonga, L., Hora, D., Pimenta, M., Wanderley, M. M. (2021). The Ragpicking DMI Design: The Case for Green Computer Music. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Wanderley, M. M., West, T., Rohs, J., Meneses, E. A. L., Frisson, C. (2021). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly 2021 Conference, Trento, Italy.

Calegario, F., Tragtenberg, J., Frisson, C., Meneses, E., Malloch, J., Cusson, V., Wanderley, M. M. (2021). Documentation and Replicability in the NIME Community. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021)., Shanghai, China.

Charles Reimer, P. J., Wanderley, M. M. (2021). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Skarha, M., Cusson, V., Frisson, C., Wanderley, M. M. (2021). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Frisson, C., Bredholt, M., Malloch, J., Wanderley, M. M. (2021). MapLooper: Live-looping of distributed gesture-to-sound mappings. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Masu, R., Pultz Melbye, A., Sullivan, J., Refsum Jensenius, A. (2021). NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fraisse, V., Guastavino, C., Wanderley, M. M. (2021). A Visualization Tool to Explore Interactive Sound Installations. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Santos, G., Wang, J., Medeiros, C., Wanderley, M. M., Tavares, T., Rocha, A. (2021). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Regimbal, J., Wanderley, M. M. (2021). Interpolating Audio and Haptic Control Spaces. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

West, T., Caramiaux, B., Huot, S., Wanderley, M. M. (2021). Making Mappings: Design Criteria for Live Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fukuda, T., Meneses, E., West, T. J., Wanderley, M. M. (2021). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

2020

Frisson, C., Decaudin, J., Sanz-Lopez, M., Pietrzak, T. (2020). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M. M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

West, T., Caramiaux, B., Wanderley, M. M. (2020). Making Mappings: Examining the Design Process. Proceedings of the International Conference on New Interfaces for Musical Expression.

Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M. M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Wang, J., Meneses, E., Wanderley, M. M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, U.K..

Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M. M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Verdugo, F., Kokubu, S., Wang, J., Wanderley, M. M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Kirkegaard, M., Bredholt, M., Marcelo Wanderley, a. M. (2020). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Meneses, E. A. L., Fukuda, T., Wanderley, M. M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E. A. L., Wanderley, M. M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M. M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Wanderley, M. M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

2019

Sullivan, J., Wanderley, M. M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Marcelo Wanderley, a. M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Tom, A., Venkatesan, H., Franco, I., Wanderley, M. M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Porto Alegre, Brazil.

Meneses, E., Wang, J., Freire, S., Wanderley, M. M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Wang, J., Mulder, A., Wanderley, M. M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. International Workshop on Haptic and Audio Interaction Design, Lille, France.

2018

Sullivan, J., Wanderley, M. M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M. M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing - MOCO '18, Genoa, Italy.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Cowden, P., Dosiek, L. (2018). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Meneses, E. A. L., Freire, S., Wanderley, M. M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. International Conference on New Interfaces for Musical Expression (NIME), Blacksburg, USA.

Nieva, A., Wang, J., Malloch, J., Wanderley, M. M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. New Interfaces for Musical Expression, Blacksburg, Virginia.

2017

Goncalves Duarte, E., Fernandes Tavares, T. (2017). A tool for the musical education of Deaf people. .

Meneses, E. A. L., Wanderley, M. M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Ignoto, P., Hattwick, I., Wanderley, M. M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M. M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M. M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Palmer and Marcelo Wanderley, C. M. (2017). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

Franco, I., Wanderley, M. M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

Barbosa, J., Wanderley, M. M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression, Copenhagen, Denmark.

Hattwick, I., Franco, I., Wanderley, M. M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. Springer, Cham.

2016

Bhagwati, S., Wanderley, M. M., Sullivan, J., Giordano, M. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Franco, I., Wanderley, M. M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

2015

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M. M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, USA.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, T., Salter and Marcelo Wanderley, C. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M. M. (2015). What does ‘Evaluation’ mean for the NIME community?. NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

2014 and older

Hattwick, I., Malloch, J., Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression, London, UK.

Rosa Mamedes, C., Fornari, J., Manzolli, J., Hortência Lopes Garcia, D. (2012). Abstrações: apontamentos sobre o comportamento de visitantes. Encontro Internacional de Música e Arte Sonora, Juiz de Fora, Brasil.

Rosa Mamedes, C., Manzolli, J., Hortência Lopes Garcia, D., Fornari, J. (2012). Cerejeira: delimitadores ambientais para controle de diversidade utilizando algoritmos genéticos interativos. XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), João Pessoa, Brasil.

Michael Winters, R., Wanderley, M. M. (2012). New Directions for the Sonification of Expressive Movement in Music Performance. International Conference on Auditory Display, Atlanta, Georgia, USA.

Rosa Mamedes, C., Hortência Lopes Garcia, D., Fornari, J., Manzolli, J. (2011). Abstrações: an audiovisual installation based on motion recognizing. 4th International Congress on Image and Signal Processing CISP 2011 / IEEE, Shanghai, China.

Brum Medeiros, C., Wanderley, M. M. (2011). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. Proceedings of the 8th Sound and Music Computing (SMC) Conference.

Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller. Proceedings of the 2010 international Computer Music Conference (ICMC2010).

Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. Proceedings of the 2010 international Computer Music Conference (ICMC2010).

Malloch, J., Sinclair, S., Wanderley, M. M. (2008). A network-based framework for collaborative development and performance of digital musical instruments. Proc. of Computer Music Modeling and Retrieval 2007 Conference (CMMR2007), Berlin, Germany.

Malloch, J., Sinclair, S., Wanderley, M. M. (2007). From controller to sound: Tools for collaborative development of digital musical instruments. Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

Malloch, J., Wanderley, M. M. (2007). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression, New York City, NY, United States.

Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA.

Van Nort, D., Depalle, P. (2006). A Stochastic State-Space Phase Vocoder for Synthesis of Roughness. Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada.

Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. Proc. of the 2006 Sound and Music Computing Conference (SMC06), Marseille, France.

Verfaille, V., Quek, O., Wanderley, M. M. (2006). Sonification of Musician’s Ancillary Gestures. 2006 International Conference on Auditory Display (ICAD’06), London, England.

Malloch, J., Birnbaum, D., Sinyor, E., Wanderley, M. M. (2006). A New Conceptual Framework for Digital Musical Instruments. Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada.

Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression, Vancouver, Canada.

Sinyor, E., Wanderley, M. M. (2005). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, Canada.

Van Nort, D., Wanderley, M. M., Depalle, P. (2004). On the Choice of Mappings based on Geometric Properties. Proc. of the 2004 International Conference on New Interfaces for Musical Expression (NIME04), Hamamatsu, Japan.

Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Genova, Italy.

Wanderley, M. M., Depalle, P. (2001). Gesturally-Controlled Digital Audio Effects. Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx-01), Limerick, Ireland.

Wanderley, M. M., Depalle, P., Warusfel, O. (1999). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. Proceedings of the international Computer Music Conference.


Theses:

 

Doctoral Dissertations

Sullivan, J. (2021). Built to Perform: Designing Digital Musical Instruments for Professional Use. Ph.D. Thesis, McGill University, Montreal, Canada.

Massie-Laberge, C. (2019). Kinematic, Kinetic and Perceptual Analyses of Piano Performances. Ph.D. Thesis, McGill University, Montreal, Canada.

Franco, I. (2019). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Hattwick, I. (2017). The Creation of Hardware Systems for Professional Artistic Productions. Ph.D. Thesis, McGill University, McGill University, Canada.

Fernandes Santos, T. (2017). The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance. D.Mus Thesis, Universidade Federal de Minas Gerais, Belo Horizonte, Brazil.

Schumacher, M. (2016). A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. Ph.D. Thesis, McGill University, Montreal, Canada.

Giordano, M. (2016). Vibrotactile Feedback and Stimulation in Music Performance. Ph.D. Thesis, McGill University, Montreal, Canada.

Brum Medeiros, C. (2015). Advanced Instrumentation and Sensor Fusion Methods in Input Devices for Musical Expression. Ph.D. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2014). Optical Sensing, Embedded Systems, and Musical Interfaces for Functional Neuroimaging. Ph.D. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2013). A Framework and Tools for Mapping of Digital Musical Instruments. Ph.D. thesis, Music Technology, Montreal, Canada.

Sinclair, S. (2012). Velocity-driven Audio-Haptic Interaction With Real-Time Digital Acoustic Models. Ph.D. Thesis, McGill University, Montreal, Canada.

Zadel, M. (2012). Graphical Performance Software in Contexts: Explorations with Different Strokes. Ph.D. Thesis, McGill University, Montreal, Canada.

Palacio-Quintin, C. (2012). Composition d’œuvres pour hyper-flûtes et traitement audionumérique interactif. D.Mus. Thesis, Université de Montréal, Montreal, Canada.

Koehly, R. (2011). Fabrication of Sustainable Resistive-Based Paper Touch Sensors: Application to Music Technology. Ph.D. Thesis, McGill University, Montreal, Canada.

Van Nort, D. (2010). Modular and Adaptive Control of Sound Processing. Ph.D. Thesis, McGill University, Montreal, Canada.

Bouënard, A. (2009). Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis. Ph.D. Thesis, Université de Bretagne Sud, Bretagne, France.

Marshall, M. T. (2008). Physical Interface Design for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Canada.

Master’s Theses

Kirkegaard, M. (2021). Integrating 1-DoF Force Feedback Interactions In Self-Contained DMIs. M.A. Thesis, McGill University, Montreal, Canada.

Bredholt, M. (2021). Live-looping of Distributed Gesture-to-sound Mappings. M.A. Thesis, McGill University, Montreal, Canada.

West, T. (2020). Making Mappings: Examining the Design Process with Libmapper and the T-Stick. M.A. Thesis, McGill University, Montreal, Canada.

Tirumala Bukkapatnam, A. (2019). A Pre-Characterized Toolkit for Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Marci, I. (2018). Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Nieva, A. (2018). Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression. M.A. Thesis, McGill University, Montreal, Canada.

Ignoto, P. (2018). Development and implementation of a vibrotactile click track to assist contemporary music conducting. M.A. Thesis, McGill University, Montreal, Canada.

Vogels, J. (2014). Harmonica-inspired digital musical instrument design based on an existing gestural performance repertoire. M.A. Thesis, McGill University, Montreal, Canada.

Bacon, B. (2014). The Effects of Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Kell, T. (2014). Musical Mapping of Two-Dimensional Touch-Based Control Layouts. M.A. Thesis, McGill University, Montreal, Canada.

Ghamsari-Esfahani, M. (2013). An Evaluation of the role of Mapping in Skill Acquisition on Digital Musical Instruments. M.A. Thesis, McGill University, Montreal, Canada.

Krajeski, A. (2013). A Flexible Tool for the Visualization of Musical Mapping Networks. M.A. thesis, McGill University, Montreal, Canada.

Wilansky, J. (2013). A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments. M.A. thesis, McGill University.

Michael Winters IV, R. (2013). Exploring Music through Sound: Sonification of Emotion, Gesture, and Corpora. M.A. Thesis,. McGill University, Montreal, Canada.

Angeles, B. (2012). Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio. M.A. Thesis, McGill University, Montreal, Canada.

Rudraraju, V. (2011). A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks. M.A. thesis, McGill University, Montreal, Canada.

Germain, F. G. (2011). A Nonlinear Analysis Framework for Electronic Synthesizer Circuits. M.A. Thesis, McGill University, Montreal, Canada.

Vigliensoni, G. (2011). Touchless Gestural Control of Concatenative Sound Synthesis. M.A. Thesis, McGill University, Montreal, Canada.

Thibodeau, J. (2011). Trumpet Augmentation: Rebirth and Symbiosis of an Acoustic Instrument. M.A. Thesis, McGill University, Montreal, Canada.

Savard, A. (2009). When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians’ Ancillary Gestures. M.A. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2008). Design of fMRI-compatible electronic musical interfaces. M.A. Thesis, McGill University, Montreal, Canada.

Birnbaum, D. (2007). Musical Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Zaborowski, P. (2007). A Novel Input Device For Thumb Control. M.A. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. M.A. thesis, McGill University, Montreal, Canada.

Sinclair, S. (2007). Force-Feedback Hand Controllers for Musical Interaction. M.A. Thesis, McGill University, Montreal, Canada.

Burns, A. (2007). Computer Vision Methods for Guitarist Left-Hand Fingering Recognition. M.A. Thesis, McGill University, Montreal, Canada.

Sinyor, E. (2006). Digital Musical Instruments: A Design Approach Based on Moving Mechanical Systems. M.A. Thesis, McGill University, Montreal, Canada.

Kolesnik, P. (2004). Conducting Gesture Recognition, Analysis and Performance System. M.A. Thesis, McGill University, Montreal, Canada.


Technical Reports:

Campbell, L., Chagnon, M., Wanderley, M. M. (2005). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.

Campbell, L. (2005). The Observation of Movement. Report MUMT-609 Seminar. Input Devices and Music Interaction Laboratory (PDF document, 432 kbytes) Copyright: McGill University.

Verron, C. (2005). Traitement et visualisation de données gestuelles captées par Optotrak. Input Devices and Music Interaction Laboratory (PDF document, 1.9 Mbytes) Copyright: McGill University.

Zadel, M., Kosek, P. C., Wanderley, M. M. (2004). An Inertial, Pliable Interface. An Inertial, Pliable Interface.

Wanderley, M. M., Middleton, N., McKay, C., Hatch, W., Vines, B. W. (2004). Expressive Movements of Clarinetists: Quantification and Musical Considerations. (PDF document, 1.6 Mbytes) Copyright: McGill University.

Books:

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). (2019). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Wanderley, M. M., Malloch, J. (Eds.). (2014). Advances in the Design of Mapping for Computer Music. .

Miranda, E. R., Wanderley, M. M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc..

Wanderley, M. M., Battier, M. (Eds.). (2000). Trends in Gestural Control of Music. .

Book Sections:

Malloch, J., Garcia, J., Wanderley, M. M., Mackay, W. E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Giordano, M., Sullivan, J., Wanderley, M. M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Papetti, S., Saitis, C. (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Franco, I., Wanderley, M. M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Malloch, J., Wanderley, M. M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In Lesaffre, M., Leman, M., Maes, P. (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).

Wanderley, M. M. (2017). Expert Commentary: Perry Cook’s Principles Still Going Strong. In Refsum Jensenius, A., Lyons, M. J. (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13).

Wanderley, M. M., Vines, B. (2005). Ancillary Gestures of Clarinettists. In Gritten, A., King, E. (Eds.), New Perspectives on Theory and Contemporary Practice.

Wanderley, M. M. (2002). Quantitative Analysis of Non-obvious Performer Gestures. In Wachsmuth and Sowa, I. T. (Eds.), Gesture and Sign Language in Human-Computer Interaction (pp. 241-253).

Cadoz, C., Wanderley, M. M. (2000). Gesture-Music. In Wanderley and Battier, M. M. M. (Eds.), Trends in Gestural Control of Music.

Wanderley, M. M. (1999). Non-Obvious Performer Gestures in Instrumental Music. In Braffort, A., Gherbi, R., Gibet, S., Richardson, J., Teil, D. (Eds.), Gesture-Based Communication in Human-Computer Interaction (pp. 37-48).

Journal Papers:

Verdugo, F., Begon, M., Gibet, S., Wanderley, M. M. (2021). Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes. Journal of Motor Behavior.

Costalonga, L., Pimenta, M., Wanderley, M. M. (2021). Can Ubimus Technologies Affect our Musicality?. PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.

Pras, A., Rodrigues, M. G., Grupp, V., Wanderley, M. M. (2021). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. Front. Psychol..

Fraisse, V., Wanderley, M. M., Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact., Basel, Switzerland.

Freire, S., Santos, G., Armondes, A., Meneses, E. A. L., Wanderley, M. M. (2020). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors.

Pietrzak, T., Wanderley, M. M. (2020). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Turchet, L., West, T., Wanderley, M. M. (2020). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. Personal and Ubiquitous Computing.

Demos, A. P., Layeghi, H., Wanderley, M. M., Palmer, C. (2019). Staying together: A bidirectional delay-coupled approach to joint action. Cognitive Science.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology, Montreal, Canada.

Caramiaux, B., Bevilacqua, F., Wanderley, M. M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M. M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Demos, A. P., Carter, D. J., Wanderley, M. M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M. M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M. M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Hollinger, A., Wanderley, M. M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M. M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Perez Carrillo, A., Wanderley, M. M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.

Maes, P., Palmer, C., Wanderley, M. M. (2015). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. Experimental Brain Research, Springer Berlin Heidelberg.

Livingstone, S. R., Thompson, W. F., Wanderley, M. M., Palmer., C. (2014). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. Quarterly Journal of Experimental Psychology, Taylor & Francis.

Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal, MIT Press.

Sinclair, S., Wanderley, M. M., Hayward, V. (2014). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. IEEE Transactions on Haptics, IEEE.

Brum Medeiros, C., Wanderley, M. M. (2014). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. Sensors Journal.

Teixeira, E. C. F., Loureiro, M. A., Wanderley, M. M., Yehia, H. C. (2014). Motion Analysis of Clarinet Performers. Journal of New Music Research, Taylor & Francis.

Koehly, R., Wanderley, M. M., van de Ven, T., Curtil, D. (2014). In-House Development of Paper Force Sensors for Musical Applications. Computer Music Journal, MIT Press.

Brum Medeiros, C., Wanderley, M. M. (2014). Multiple-model Linear Kalman Filter Framework for Unpredictable Signals. IEEE Sensors Journal.

Michael Winters, R., Wanderley, M. M. (2014). Sonification of Emotion: Strategies and Results from the Intersection with Music. Organised Sound, Cambridge University Press.

Seger, R. A., Wanderley, M. M., Koerich., A. L. (2014). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. Expert Systems with Applications, Elsevier.

Maes, P., Leman, M., Palmer, C., Wanderley., M. M. (2014). Action-based Effect on Music Perception. Frontiers in Psychology, Frontiers Media S.A..

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2013). Gestural Strategies in the Harp Performance. Acta Acustica united with Acustica, Hirzel Verlag.

Thibodeau, J., Wanderley, M. M. (2013). Trumpet Augmentation and Technological Symbiosis. Computer Music Journal, MIT Press.

Brown, R. M., Chen, J. L., Hollinger, A., Penhune, V. B. (2013). Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music. Journal of Cognitive Neuroscience, MIT Press.

Michael Winters, R., Savard, A., Verfaille, V., Wanderley, M. M. (2012). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. The International Journal of Multimedia & Its Applications (IJMA), AIRCC Publishing Corporation.

Caramiaux, B., Wanderley, M. M., Bevilacqua, F. (2012). Segmenting and Parsing Instrumentalist’s Gestures. Journal of New Music Research, Routledge.

Bouënard, A., Gibet, S., Wanderley, M. M. (2012). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. The Visual Computer Journal, Springer.

Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2012). Experimental study of the musician / instrument interaction in the case of the concert harp. Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.

Bouënard, A., Wanderley, M. M., Gibet, S., Marandola, F. (2011). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal, MIT Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin., D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition, Elsevier.

Schumacher, M., Bresson, J. (2010). Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press.

Ferguson, S., Wanderley, M. M. (2010). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. Journal of Interdisciplinary Music Studies.

Bouënard, A., Wanderley, M. M., Gibet, S. (2010). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. Acta Acustica united with Acustica, S. Hirzel Verlag.

Verfaille, V., Depalle, P., Wanderley., M. M. (2010). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. Journal of the Acoustical Society of America, Acoustical Society of America.

Marshall, M. T., Hartshorn, M., Wanderley, M. M., Levitin, D. J. (2009). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, Routledge.

Nusseck, M., Wanderley, M. M. (2009). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. Music Perception: An Interdisciplinary Journal, University of California Press.

Sinclair, S., Wanderley, M. M. (2009). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers, Elsevier.

Verfaille, V., Wanderley, M. M., Depalle, P. (2008). Indirect acquisition of flutist gestures: a case study of harmonic note fingerings. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Rebillout, A., Guillemain, P., Wanderley, M. M. (2008). Refining mapping strategies to improve the sound quality of physically controlled synthesis. Journal of the Acoustical Society of America, Acoustical Society of America.

Van Nort, D. (2006). Noise/music and representation systems. Organised Sound, Cambridge University Press.

Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, Elsevier.

Verfaille, V., Wanderley, M. M. (2006). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. Journal of the Acoustical Society of America, Acoustical Society of America.

Verfaille, V., Wanderley and Philippe Depalle, M. M. (2006). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. Journal of New Music Research, Routledge.

Wanderley, M. M., Vines, B., Middleton, N., McKay, C., Hatch, W. (2005). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .

Wanderley, M. M., Depalle, P. (2004). Gestural Control of Sound Synthesis. Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication.

Hunt, A., Wanderley, M. M., Paradis, M. (2003). The Importance of Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, Routledge.

Wanderley, M. M., Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, MIT Press.

Hunt, A., Wanderley, M. M. (2002). Mapping Performance Parameters to Synthesis Engines. Organised Sound, Cambridge University Press.

RECENT:

Lavastre, B., Wanderley, M. M. (2021). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. 15th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan.

Azevedo Costa Neto, A., Assunção de Araújo, N., Wanderley, M. M. (2021). Projeto: Cerrado: Unfolding Spaces. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Costalonga, L., Hora, D., Pimenta, M., Wanderley, M. M. (2021). The Ragpicking DMI Design: The Case for Green Computer Music. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Wanderley, M. M., West, T., Rohs, J., Meneses, E. A. L., Frisson, C. (2021). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly 2021 Conference, Trento, Italy.

Calegario, F., Tragtenberg, J., Frisson, C., Meneses, E., Malloch, J., Cusson, V., Wanderley, M. M. (2021). Documentation and Replicability in the NIME Community. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021)., Shanghai, China.

Charles Reimer, P. J., Wanderley, M. M. (2021). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Skarha, M., Cusson, V., Frisson, C., Wanderley, M. M. (2021). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Frisson, C., Bredholt, M., Malloch, J., Wanderley, M. M. (2021). MapLooper: Live-looping of distributed gesture-to-sound mappings. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Masu, R., Pultz Melbye, A., Sullivan, J., Refsum Jensenius, A. (2021). NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fraisse, V., Guastavino, C., Wanderley, M. M. (2021). A Visualization Tool to Explore Interactive Sound Installations. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Santos, G., Wang, J., Medeiros, C., Wanderley, M. M., Tavares, T., Rocha, A. (2021). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Regimbal, J., Wanderley, M. M. (2021). Interpolating Audio and Haptic Control Spaces. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

West, T., Caramiaux, B., Huot, S., Wanderley, M. M. (2021). Making Mappings: Design Criteria for Live Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Fukuda, T., Meneses, E., West, T. J., Wanderley, M. M. (2021). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

2020

Frisson, C., Decaudin, J., Sanz-Lopez, M., Pietrzak, T. (2020). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M. M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

West, T., Caramiaux, B., Wanderley, M. M. (2020). Making Mappings: Examining the Design Process. Proceedings of the International Conference on New Interfaces for Musical Expression.

Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M. M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Wang, J., Meneses, E., Wanderley, M. M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, U.K..

Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M. M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Verdugo, F., Kokubu, S., Wang, J., Wanderley, M. M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Kirkegaard, M., Bredholt, M., Marcelo Wanderley, a. M. (2020). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Meneses, E. A. L., Fukuda, T., Wanderley, M. M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E. A. L., Wanderley, M. M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M. M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Wanderley, M. M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

2019

Sullivan, J., Wanderley, M. M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Marcelo Wanderley, a. M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Tom, A., Venkatesan, H., Franco, I., Wanderley, M. M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Porto Alegre, Brazil.

Meneses, E., Wang, J., Freire, S., Wanderley, M. M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Wang, J., Mulder, A., Wanderley, M. M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. International Workshop on Haptic and Audio Interaction Design, Lille, France.

2018

Sullivan, J., Wanderley, M. M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M. M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing - MOCO '18, Genoa, Italy.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Cowden, P., Dosiek, L. (2018). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Meneses, E. A. L., Freire, S., Wanderley, M. M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. International Conference on New Interfaces for Musical Expression (NIME), Blacksburg, USA.

Nieva, A., Wang, J., Malloch, J., Wanderley, M. M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. New Interfaces for Musical Expression, Blacksburg, Virginia.

2017

Goncalves Duarte, E., Fernandes Tavares, T. (2017). A tool for the musical education of Deaf people. .

Meneses, E. A. L., Wanderley, M. M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Ignoto, P., Hattwick, I., Wanderley, M. M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M. M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M. M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Palmer and Marcelo Wanderley, C. M. (2017). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

Franco, I., Wanderley, M. M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

Barbosa, J., Wanderley, M. M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression, Copenhagen, Denmark.

Hattwick, I., Franco, I., Wanderley, M. M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. Springer, Cham.

2016

Bhagwati, S., Wanderley, M. M., Sullivan, J., Giordano, M. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Franco, I., Wanderley, M. M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

2015

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M. M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, USA.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, T., Salter and Marcelo Wanderley, C. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M. M. (2015). What does ‘Evaluation’ mean for the NIME community?. NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

2014 and older

Hattwick, I., Malloch, J., Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression, London, UK.

Rosa Mamedes, C., Fornari, J., Manzolli, J., Hortência Lopes Garcia, D. (2012). Abstrações: apontamentos sobre o comportamento de visitantes. Encontro Internacional de Música e Arte Sonora, Juiz de Fora, Brasil.

Rosa Mamedes, C., Manzolli, J., Hortência Lopes Garcia, D., Fornari, J. (2012). Cerejeira: delimitadores ambientais para controle de diversidade utilizando algoritmos genéticos interativos. XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), João Pessoa, Brasil.

Michael Winters, R., Wanderley, M. M. (2012). New Directions for the Sonification of Expressive Movement in Music Performance. International Conference on Auditory Display, Atlanta, Georgia, USA.

Rosa Mamedes, C., Hortência Lopes Garcia, D., Fornari, J., Manzolli, J. (2011). Abstrações: an audiovisual installation based on motion recognizing. 4th International Congress on Image and Signal Processing CISP 2011 / IEEE, Shanghai, China.

Brum Medeiros, C., Wanderley, M. M. (2011). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. Proceedings of the 8th Sound and Music Computing (SMC) Conference.

Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller. Proceedings of the 2010 international Computer Music Conference (ICMC2010).

Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. Proceedings of the 2010 international Computer Music Conference (ICMC2010).

Malloch, J., Sinclair, S., Wanderley, M. M. (2008). A network-based framework for collaborative development and performance of digital musical instruments. Proc. of Computer Music Modeling and Retrieval 2007 Conference (CMMR2007), Berlin, Germany.

Malloch, J., Sinclair, S., Wanderley, M. M. (2007). From controller to sound: Tools for collaborative development of digital musical instruments. Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

Malloch, J., Wanderley, M. M. (2007). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression, New York City, NY, United States.

Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA.

Van Nort, D., Depalle, P. (2006). A Stochastic State-Space Phase Vocoder for Synthesis of Roughness. Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada.

Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. Proc. of the 2006 Sound and Music Computing Conference (SMC06), Marseille, France.

Verfaille, V., Quek, O., Wanderley, M. M. (2006). Sonification of Musician’s Ancillary Gestures. 2006 International Conference on Auditory Display (ICAD’06), London, England.

Malloch, J., Birnbaum, D., Sinyor, E., Wanderley, M. M. (2006). A New Conceptual Framework for Digital Musical Instruments. Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada.

Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression, Vancouver, Canada.

Sinyor, E., Wanderley, M. M. (2005). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, Canada.

Van Nort, D., Wanderley, M. M., Depalle, P. (2004). On the Choice of Mappings based on Geometric Properties. Proc. of the 2004 International Conference on New Interfaces for Musical Expression (NIME04), Hamamatsu, Japan.

Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Genova, Italy.

Wanderley, M. M., Depalle, P. (2001). Gesturally-Controlled Digital Audio Effects. Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx-01), Limerick, Ireland.

Wanderley, M. M., Depalle, P., Warusfel, O. (1999). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. Proceedings of the international Computer Music Conference.

Doctoral Dissertations

Sullivan, J. (2021). Built to Perform: Designing Digital Musical Instruments for Professional Use. Ph.D. Thesis, McGill University, Montreal, Canada.

Massie-Laberge, C. (2019). Kinematic, Kinetic and Perceptual Analyses of Piano Performances. Ph.D. Thesis, McGill University, Montreal, Canada.

Franco, I. (2019). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Hattwick, I. (2017). The Creation of Hardware Systems for Professional Artistic Productions. Ph.D. Thesis, McGill University, McGill University, Canada.

Fernandes Santos, T. (2017). The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance. D.Mus Thesis, Universidade Federal de Minas Gerais, Belo Horizonte, Brazil.

Schumacher, M. (2016). A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. Ph.D. Thesis, McGill University, Montreal, Canada.

Giordano, M. (2016). Vibrotactile Feedback and Stimulation in Music Performance. Ph.D. Thesis, McGill University, Montreal, Canada.

Brum Medeiros, C. (2015). Advanced Instrumentation and Sensor Fusion Methods in Input Devices for Musical Expression. Ph.D. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2014). Optical Sensing, Embedded Systems, and Musical Interfaces for Functional Neuroimaging. Ph.D. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2013). A Framework and Tools for Mapping of Digital Musical Instruments. Ph.D. thesis, Music Technology, Montreal, Canada.

Sinclair, S. (2012). Velocity-driven Audio-Haptic Interaction With Real-Time Digital Acoustic Models. Ph.D. Thesis, McGill University, Montreal, Canada.

Zadel, M. (2012). Graphical Performance Software in Contexts: Explorations with Different Strokes. Ph.D. Thesis, McGill University, Montreal, Canada.

Palacio-Quintin, C. (2012). Composition d’œuvres pour hyper-flûtes et traitement audionumérique interactif. D.Mus. Thesis, Université de Montréal, Montreal, Canada.

Koehly, R. (2011). Fabrication of Sustainable Resistive-Based Paper Touch Sensors: Application to Music Technology. Ph.D. Thesis, McGill University, Montreal, Canada.

Van Nort, D. (2010). Modular and Adaptive Control of Sound Processing. Ph.D. Thesis, McGill University, Montreal, Canada.

Bouënard, A. (2009). Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis. Ph.D. Thesis, Université de Bretagne Sud, Bretagne, France.

Marshall, M. T. (2008). Physical Interface Design for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Canada.

Master’s Theses

Kirkegaard, M. (2021). Integrating 1-DoF Force Feedback Interactions In Self-Contained DMIs. M.A. Thesis, McGill University, Montreal, Canada.

Bredholt, M. (2021). Live-looping of Distributed Gesture-to-sound Mappings. M.A. Thesis, McGill University, Montreal, Canada.

West, T. (2020). Making Mappings: Examining the Design Process with Libmapper and the T-Stick. M.A. Thesis, McGill University, Montreal, Canada.

Tirumala Bukkapatnam, A. (2019). A Pre-Characterized Toolkit for Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Marci, I. (2018). Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Nieva, A. (2018). Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression. M.A. Thesis, McGill University, Montreal, Canada.

Ignoto, P. (2018). Development and implementation of a vibrotactile click track to assist contemporary music conducting. M.A. Thesis, McGill University, Montreal, Canada.

Vogels, J. (2014). Harmonica-inspired digital musical instrument design based on an existing gestural performance repertoire. M.A. Thesis, McGill University, Montreal, Canada.

Bacon, B. (2014). The Effects of Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Kell, T. (2014). Musical Mapping of Two-Dimensional Touch-Based Control Layouts. M.A. Thesis, McGill University, Montreal, Canada.

Ghamsari-Esfahani, M. (2013). An Evaluation of the role of Mapping in Skill Acquisition on Digital Musical Instruments. M.A. Thesis, McGill University, Montreal, Canada.

Krajeski, A. (2013). A Flexible Tool for the Visualization of Musical Mapping Networks. M.A. thesis, McGill University, Montreal, Canada.

Wilansky, J. (2013). A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments. M.A. thesis, McGill University.

Michael Winters IV, R. (2013). Exploring Music through Sound: Sonification of Emotion, Gesture, and Corpora. M.A. Thesis,. McGill University, Montreal, Canada.

Angeles, B. (2012). Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio. M.A. Thesis, McGill University, Montreal, Canada.

Rudraraju, V. (2011). A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks. M.A. thesis, McGill University, Montreal, Canada.

Germain, F. G. (2011). A Nonlinear Analysis Framework for Electronic Synthesizer Circuits. M.A. Thesis, McGill University, Montreal, Canada.

Vigliensoni, G. (2011). Touchless Gestural Control of Concatenative Sound Synthesis. M.A. Thesis, McGill University, Montreal, Canada.

Thibodeau, J. (2011). Trumpet Augmentation: Rebirth and Symbiosis of an Acoustic Instrument. M.A. Thesis, McGill University, Montreal, Canada.

Savard, A. (2009). When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians’ Ancillary Gestures. M.A. Thesis, McGill University, Montreal, Canada.

Hollinger, A. (2008). Design of fMRI-compatible electronic musical interfaces. M.A. Thesis, McGill University, Montreal, Canada.

Birnbaum, D. (2007). Musical Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Zaborowski, P. (2007). A Novel Input Device For Thumb Control. M.A. Thesis, McGill University, Montreal, Canada.

Malloch, J. (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. M.A. thesis, McGill University, Montreal, Canada.

Sinclair, S. (2007). Force-Feedback Hand Controllers for Musical Interaction. M.A. Thesis, McGill University, Montreal, Canada.

Burns, A. (2007). Computer Vision Methods for Guitarist Left-Hand Fingering Recognition. M.A. Thesis, McGill University, Montreal, Canada.

Sinyor, E. (2006). Digital Musical Instruments: A Design Approach Based on Moving Mechanical Systems. M.A. Thesis, McGill University, Montreal, Canada.

Kolesnik, P. (2004). Conducting Gesture Recognition, Analysis and Performance System. M.A. Thesis, McGill University, Montreal, Canada.

Technical Reports:

Campbell, L., Chagnon, M., Wanderley, M. M. (2005). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.

Campbell, L. (2005). The Observation of Movement. Report MUMT-609 Seminar. Input Devices and Music Interaction Laboratory (PDF document, 432 kbytes) Copyright: McGill University.

Verron, C. (2005). Traitement et visualisation de données gestuelles captées par Optotrak. Input Devices and Music Interaction Laboratory (PDF document, 1.9 Mbytes) Copyright: McGill University.

Zadel, M., Kosek, P. C., Wanderley, M. M. (2004). An Inertial, Pliable Interface. An Inertial, Pliable Interface.

Wanderley, M. M., Middleton, N., McKay, C., Hatch, W., Vines, B. W. (2004). Expressive Movements of Clarinetists: Quantification and Musical Considerations. (PDF document, 1.6 Mbytes) Copyright: McGill University.