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PUBLICATIONS

 

Books, chapters, articles, conference papers and theses

 

 

 

Books:

 

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M.M. (Eds.). (2019). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Wanderley, M.M., Malloch, J. (Eds.). (2014). Advances in the Design of Mapping for Computer Music. .

Miranda, E.R., Wanderley, M.M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc..


Book Sections:

Malloch, J., Garcia, J., Wanderley, M.M., Mackay, W.E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M.M. (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Giordano, M., Sullivan, J., Wanderley, M.M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Papetti, S., Saitis, C. (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Franco, I., Wanderley, M.M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Malloch, J., Wanderley, M.M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In Lesaffre, M., Leman, M., Maes, P. (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).


Journal Papers:

Pietrzak, T., Wanderley, M.M. (2020). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology, Montreal, Canada.

Caramiaux, B., Bevilacqua, F., Wanderley, M.M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M.M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Demos, A.P., Carter, D.J., Wanderley, M.M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M.M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M.M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Hollinger, A., Wanderley, M.M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M.M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Carrillo, A.P., Wanderley, M.M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.


Conference Papers:

 

MOST RECENT:

Frisson, C., Decaudin, J., Sanz-Lopez, M., Pietrzak, T. (2020). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Fraisse, V., Steele, D., D'Ambrosio, S., Guastavino, C. (2020). Shaping urban soundscapes through sound art: a case study in a public square exposed to construction noise. Proceedings of International Workshop on Haptic and Audio Interaction Design 2020, Montréal, Canada.

Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M.M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

West, T., Caramiaux, B., Wanderley, M.M. (2020). Making Mappings: Examining the Design Process. Proceedings of the International Conference on New Interfaces for Musical Expression.

Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M.M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Wang, J., Meneses, E., Wanderley, M.M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, U.K..

Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M.M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Verdugo, F., Kokubu, S., Wang, J., Wanderley, M.M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Kirkegaard, M., Bredholt, M., Wanderley, a.M.M. (2020). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Meneses, E.A.L., Fukuda, T., Wanderley, M.M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E.A.L., Wanderley, M.M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M.M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Wanderley, M.M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

2019

Sullivan, J., Wanderley, M.M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Wanderley, a.M.M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Steele, D., Legast, E., Trudeau, C., Fraisse, V., Guastavino, C. (2019). Improving the soundscape of a public square through sound art. Proceedings of the 26th International Congress on Sound & Vibration, Montréal, Canada.

Tom, A., Venkatesan, H., Franco, I., Wanderley, M.M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Porto Alegre, Brazil.

Meneses, E., Wang, J., Freire, S., Wanderley, M.M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Wang, J., Mulder, A., Wanderley, M.M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Bukkapatnam, A.T., Depalle, P., Wanderley, M.M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. International Workshop on Haptic and Audio Interaction Design, Lille, France.

2018

Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing - MOCO '18, Genoa, Italy.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Cowden, P., Dosiek, L. (2018). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. International Conference on New Interfaces for Musical Expression (NIME), Blacksburg, USA.

Nieva, A., Wang, J., Malloch, J., Wanderley, M.M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. New Interfaces for Musical Expression, Blacksburg, Virginia.

2017

Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M.M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression, Copenhagen, Denmark.

Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. Springer, Cham.

2016

Bhagwati, S., Wanderley, M.M., Sullivan, J. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition, San Francisco, USA.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition, San Francisco, USA.

Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

2015

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, USA.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

2014 and older

Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression, New York City, NY, United States.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression, Vancouver, Canada.

 

For older papers, please also check our previous site.


Theses:

 

Doctoral Dissertations

Franco, I. (2019). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Master’s Theses

 

For older theses, please also check our previous site.

Books:

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M.M. (Eds.). (2019). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Wanderley, M.M., Malloch, J. (Eds.). (2014). Advances in the Design of Mapping for Computer Music. .

Miranda, E.R., Wanderley, M.M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc..

Book Sections:

Malloch, J., Garcia, J., Wanderley, M.M., Mackay, W.E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M.M. (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Giordano, M., Sullivan, J., Wanderley, M.M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Papetti, S., Saitis, C. (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Franco, I., Wanderley, M.M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Malloch, J., Wanderley, M.M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In Lesaffre, M., Leman, M., Maes, P. (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).

Journal Papers:

Pietrzak, T., Wanderley, M.M. (2020). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology, Montreal, Canada.

Caramiaux, B., Bevilacqua, F., Wanderley, M.M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M.M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Demos, A.P., Carter, D.J., Wanderley, M.M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M.M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M.M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Hollinger, A., Wanderley, M.M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M.M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Carrillo, A.P., Wanderley, M.M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.

RECENT:

Frisson, C., Decaudin, J., Sanz-Lopez, M., Pietrzak, T. (2020). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Fraisse, V., Steele, D., D'Ambrosio, S., Guastavino, C. (2020). Shaping urban soundscapes through sound art: a case study in a public square exposed to construction noise. Proceedings of International Workshop on Haptic and Audio Interaction Design 2020, Montréal, Canada.

Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M.M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

West, T., Caramiaux, B., Wanderley, M.M. (2020). Making Mappings: Examining the Design Process. Proceedings of the International Conference on New Interfaces for Musical Expression.

Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M.M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Wang, J., Meneses, E., Wanderley, M.M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, U.K..

Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M.M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK.

Verdugo, F., Kokubu, S., Wang, J., Wanderley, M.M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Kirkegaard, M., Bredholt, M., Wanderley, a.M.M. (2020). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Meneses, E.A.L., Fukuda, T., Wanderley, M.M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E.A.L., Wanderley, M.M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M.M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Wanderley, M.M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

2019

Sullivan, J., Wanderley, M.M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Wanderley, a.M.M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Steele, D., Legast, E., Trudeau, C., Fraisse, V., Guastavino, C. (2019). Improving the soundscape of a public square through sound art. Proceedings of the 26th International Congress on Sound & Vibration, Montréal, Canada.

Tom, A., Venkatesan, H., Franco, I., Wanderley, M.M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), Porto Alegre, Brazil.

Meneses, E., Wang, J., Freire, S., Wanderley, M.M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Wang, J., Mulder, A., Wanderley, M.M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. New Interfaces for Musical Expression, Porto Alegre, Brazil.

Bukkapatnam, A.T., Depalle, P., Wanderley, M.M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. International Workshop on Haptic and Audio Interaction Design, Lille, France.

2018

Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing - MOCO '18, Genoa, Italy.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Cowden, P., Dosiek, L. (2018). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. International Conference on New Interfaces for Musical Expression (NIME), Blacksburg, USA.

Nieva, A., Wang, J., Malloch, J., Wanderley, M.M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. New Interfaces for Musical Expression, Blacksburg, Virginia.

2017

Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M.M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression, Copenhagen, Denmark.

Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. Springer, Cham.

2016

Bhagwati, S., Wanderley, M.M., Sullivan, J. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition, San Francisco, USA.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition, San Francisco, USA.

Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

2015

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, USA.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression, Baton Rouge, USA.

2014 and older

Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression, New York City, NY, United States.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression, Vancouver, Canada.

 

For older papers, please also check our previous site.

Doctoral Dissertations

Franco, I. (2019). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Master’s Theses

 

For older theses, please also check our previous site.