Publications

Books:

 

Miranda, E.R., Wanderley, M.M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. , A-R Editions, Inc. Madison, WI, USA ©2006.


Journal Papers:

 


Conference Papers:

 

Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Limassol, Cyprus, Proceedings of the Sound and Music Computing Conference.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Genoa, Italy, Proceedings of the 5th International Conference on Movement and Computing - MOCO '18.

Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Blacksburg, USA, International Conference on New Interfaces for Musical Expression (NIME).

Nieva, A., Wang, J., Malloch, J., Wanderley, M.M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. Blacksburg, Virginia, New Interfaces for Musical Expression.

Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. São Paulo - Brazil, 16th Brazilian Symposium on Computer Music.

Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. Los Angeles, USA, 8th International Conference on Applied Human Factors and Ergonomics.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. , Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M.M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. , Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. London, UK, Proceedings of 4th International Conference on Movement Computing (MOCO).

Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Baton Rouge, USA, Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Copenhagen, Denmark, NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression.

Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. , Springer, Cham.

Bhagwati, S., Wanderley, M.M., Sullivan, J. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. , Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. São Paulo, Brazil, Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research.

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Denton, USA, Proceedings of the International Computer Music Conference.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Denton, TX, USA, Proceedings of the International Computer Music Conference.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M.M. (2015). The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Maynooth, Ireland, Proceedings of the SMC Conference.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. Baton Rouge, USA, NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. New York City, NY, United States, Proceedings of the International Conference on New Interfaces for Musical Expression.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Vancouver, Canada, Proceedings of the International Conference on New Interfaces for Musical Expression.

Journal Papers:

Conference Papers:

Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Limassol, Cyprus, Proceedings of the Sound and Music Computing Conference.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Genoa, Italy, Proceedings of the 5th International Conference on Movement and Computing - MOCO '18.

Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Blacksburg, USA, International Conference on New Interfaces for Musical Expression (NIME).

Nieva, A., Wang, J., Malloch, J., Wanderley, M.M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. Blacksburg, Virginia, New Interfaces for Musical Expression.

Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. São Paulo - Brazil, 16th Brazilian Symposium on Computer Music.

Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. Los Angeles, USA, 8th International Conference on Applied Human Factors and Ergonomics.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. , Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M.M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. , Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. London, UK, Proceedings of 4th International Conference on Movement Computing (MOCO).

Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Baton Rouge, USA, Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Copenhagen, Denmark, NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression.

Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. , Springer, Cham.

Bhagwati, S., Wanderley, M.M., Sullivan, J. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. , Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. São Paulo, Brazil, Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research.

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Denton, USA, Proceedings of the International Computer Music Conference.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Denton, TX, USA, Proceedings of the International Computer Music Conference.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M.M. (2015). The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Maynooth, Ireland, Proceedings of the SMC Conference.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. Baton Rouge, USA, NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. New York City, NY, United States, Proceedings of the International Conference on New Interfaces for Musical Expression.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Vancouver, Canada, Proceedings of the International Conference on New Interfaces for Musical Expression.